{"id":7,"date":"2012-02-14T23:30:18","date_gmt":"2012-02-14T23:30:18","guid":{"rendered":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/"},"modified":"2024-03-22T04:14:00","modified_gmt":"2024-03-22T09:14:00","slug":"current-courses","status":"publish","type":"page","link":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/","title":{"rendered":"Courses"},"content":{"rendered":"<h2>Vanderbilt University,\u00a0Fall\u00a02024<\/h2>\n<p>Great Books of Modern European Tradition, European Studies EUS 2214\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/eus-2214-syllabus-2021-6\/\" rel=\"attachment wp-att-3760\">EUS 2214 syllabus<\/a><\/p>\n<p>ITALIAN\u00a0 324: Dante\u2019s Divine Comedy\u00a0\u00a0<a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-i-dc-fall-2023\/\" rel=\"attachment wp-att-3762\">Dante-I-DC-Fall 2023<\/a><\/p>\n<h2>Harvard University Center for Italian Renaissance Studies (Villa i Tatti), Florence, Italy, Spring 2024<\/h2>\n<p>Francesco de Dombrowski Visiting Professor<\/p>\n<p>Seminar: \u201cTransmedial Transmissions: Dante Gabriel Rossetti and the Cult of the <em>Vita nuova<\/em>\u201d<\/p>\n<h2>Vanderbilt University,\u00a0Fall\u00a02023<\/h2>\n<p>Great Books of Modern European Tradition, European Studies EUS 2214\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/eus-2214-syllabus-2021-6\/\" rel=\"attachment wp-att-3760\">EUS 2214 syllabus <\/a><\/p>\n<p>ITALIAN\u00a0 324: Dante&#8217;s Divine Comedy\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-i-dc-fall-2023\/\" rel=\"attachment wp-att-3762\">Dante-I-DC-Fall 2023<\/a><\/p>\n<h2>Vanderbilt University,\u00a0Fall\u00a02022<\/h2>\n<p>HON 1810W\/PSCH 1817-66\u00a0\u00a0The Prophetic Muse, or Poetry as Revelation: Dante, Cervantes, Goethe\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/honors-seminar-syllabus-f-2022\/\" rel=\"attachment wp-att-3631\">Honors seminar syllabus F 2022<\/a><\/p>\n<p>ITA 2700\u00a0 Great Works of Italian Literature in English Translation\u00a0 \u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/great-works-of-italian-literature-syllabus-wf-selections\/\" rel=\"attachment wp-att-3630\">syllabus<\/a><\/p>\n<h2>Vanderbilt University,\u00a0Fall 2021<\/h2>\n<p>Dante and the Foundations of Modern Western Civilization\u00a0HONS 1810W-66<\/p>\n<p>Italian Conversation Course on\u00a0Current Issues<\/p>\n<h2>Vanderbilt University, Spring 2021<\/h2>\n<p>Great Books of Modern European Tradition, European Studies EUS 2214<\/p>\n<p>Pandemics and Apocalypse in Italian Literature\u00a0 ITA 2614<\/p>\n<h2>University of Navarra, Spring 2020<\/h2>\n<p>Filosofia Elective: Great Books of Western Humanities: Dante, Shakespeare, Cervantes, Goethe, Mallarm\u00e9\u00a0\u00a0\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/asignatura-great-books-of-western-humanities\/\" rel=\"attachment wp-att-3065\">Asignatura &#8211; Great Books of Western Humanities<\/a><\/p>\n<p><a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/navarra-great-books-program\/\" rel=\"attachment wp-att-3066\">Navarra Great Books program<\/a> &#8211; syllabus<\/p>\n<p><a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/university-of-navarra-photo-album\/\">Photo Album<\/a><\/p>\n<p>Videorecorded Lectures on Don Quixote, part II<\/p>\n<h2>Vanderbilt University, Fall 2018<\/h2>\n<p>FREN 7060: French Literary Theory (graduate, taught in French) <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/french-literary-theory-6030-syllabus-fall-2018-2\/\" rel=\"attachment wp-att-2474\">syllabus<\/a><\/p>\n<p>HONS 1810W: College Honors Seminar in Humanities and the Creative Arts: Dante and the Foundations of Modern Western Civilization <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-ii-5\/\" rel=\"attachment wp-att-1449\">Dante II.5<\/a><\/p>\n<h2>Vanderbilt University, Spring 2018<\/h2>\n<p>Divinity 5492 \/ Religion 5492: Dante and Theology\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-and-theology-1\/\" rel=\"attachment wp-att-1285\">Dante and Theology.1<\/a><\/p>\n<p>ITALIAN\u00a0 324: Dante&#8217;s Divine Comedy\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-i-spring-2018\/\" rel=\"attachment wp-att-1618\">Dante I -Spring 2018<\/a><\/p>\n<h2>Vanderbilt University, Fall 2017<\/h2>\n<p>Divinity 5491 \/ Religion 5491 Apophatic Thought and Culture\u00a0 syllabus: <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/rel-8824-apophatic-thought-f-2017\/\" rel=\"attachment wp-att-1448\">apophatic thought.F.2017<\/a><\/p>\n<p>Hons 1810W: College Honors Seminar in Humanities and the Creative Arts: Dante and the Foundations of Modern Western Civilization <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-ii-5\/\" rel=\"attachment wp-att-1449\">Dante II.5<\/a><!-- Google Analytics --><!-- This is Google Analytics Code --><\/p>\n<div id=\"contentWrapper\">\n<div id=\"content\">\n<div id=\"searchClassSectionsResults\" class=\"noStudentSearchResults\">\n<div id=\"searchClassesResult\">\n<table class=\"classTable\" style=\"height: 31px\" width=\"518\">\n<tbody>\n<tr id=\"addClassSectionToCart_classSectionListRow_1_notes\" class=\"odd\">\n<td colspan=\"9\">\n<h2>University of Frankfurt, Philosophy Department, Summer Semster 2016<\/h2>\n<p>&#8220;Apophatische Theologie und ihre Wirkung auf die neuzeitliche Philosophie\u201d\u00a0\u00a0\u00a0 [Apophatic Theology and its Effects in Modern Philosophy] Summer Semester Block-Seminar. <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/apophatische-theologie-und-neuzeitliche-philosophie-3\/\" rel=\"attachment wp-att-2238\">syllabus<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2>Vanderbilt University, Spring 2017<\/h2>\n<p>Divinity 5492 \/ Religion 5492. Dante and Theology <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-and-theology-1\/\" rel=\"attachment wp-att-1285\">Dante and Theology.syllabus<\/a><\/p>\n<p>Italian \/ European Studies 3240 Dante&#8217;s Divine Comedy <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-i-spring-2017\/\" rel=\"attachment wp-att-1286\">Dante I -Spring 2017<\/a><\/p>\n<h2>Vanderbilt University, Fall 2016<\/h2>\n<p>FRENCH 7080. French Theory and Apophatics (Graduate, taught in French) <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/french-literary-theory-7060-syllabus\/\" rel=\"attachment wp-att-1232\">syllabus<\/a><\/p>\n<p>DIV 5491. Apophatic Thought and Culture (Divinity, Graduate)\u00a0 <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/rlst-246-8-mystical-apophasis-f-2016\/\" rel=\"attachment wp-att-1231\">syllabus<\/a><\/p>\n<p>ITA \/ European Studies 3242. Dante in Historical Context (Advanced Undergraduate) <a href=\"http:\/\/my.dev.vanderbilt.edu\/williamfranke\/current-courses\/dante-ii-4-3\/\" rel=\"attachment wp-att-1230\">syllabus<\/a><\/p>\n<h2>University of Macao (China), Fall 2015<\/h2>\n<p>MA course (ENG767): Special Topics in Literature: Comparative Literature and Philosophy: Theory and Practice of Figurative Language (Metaphor, Allegory &amp; Symbol) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wednesdays 7 -10 pm<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/Comparative-Literature-and-Philosophy.3.docx\">Course Syllabus: Comparative Literature and Philosophy: Theory and Practice of Metaphor, Allegory &amp; Symbol<\/a><\/p>\n<h2>University of Macao (China), Spring 2015<\/h2>\n<p>PhD course (PHRS802): Special Topics in Philosophy and Religion<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/PhD-and-MA-seminar-Spring-2015.3.docx\">PhD and MA seminar: Universals\u2014Cognitive, Cultural, Linguistic, and Imaginative<\/a><\/p>\n<h2>University of Macao (China), Fall 2014<\/h2>\n<p>PhD course (PHRS802): Special Topics in Philosophy and Religion<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/PhD-and-MA-seminar-Fall-2014.23.docx\">PhD and MA seminar Fall 2014.2<\/a><\/p>\n<p>MA course (ENG767): Special Topics in Literature<\/p>\n<h2>University of Macao (China), Spring 2014<\/h2>\n<p>PhD Course: Intercultural Philosophy and Religion<\/p>\n<table border=\"1\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"110\">PHRS801-001<\/td>\n<td valign=\"top\" width=\"257\">Intercultural Philosophy and Religion<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/Philosophy-PhD-course-S2014-in-Intercultural-Philosophy-of-the-Unsayable.1.docx\">Philosophy PhD course S2014 in Intercultural Philosophy of the Unsayable.1<\/a><\/td>\n<td valign=\"top\" width=\"161\">William Franke<\/td>\n<td valign=\"top\" width=\"73\">TUE<\/td>\n<td valign=\"top\" width=\"68\">19:00<\/td>\n<td valign=\"top\" width=\"78\">22:00<\/td>\n<td valign=\"top\" width=\"73\">J314<\/td>\n<td valign=\"top\" width=\"128\"><strong>(can be audited by MA students and enrolled by PhD students)<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>University of Macao (China, SAR), Fall 2013<\/h2>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Syllabus-Religion-and-LiteratureENGL-766.doc\">MAEA 766 Religion and Literature<\/a><\/p>\n<p><a href=\"http:\/\/www.macaudailytimes.com.mo\/macau\/45876-um-due-to-create-bachelor%E2%80%99s-and-master%E2%80%99s-degrees-in-philosophy.html?print\">Macau Daily Times<\/a><\/p>\n<h2>University of Macao (China, SAR), Spring 2013<\/h2>\n<h3>MAEA 53 Philosophy and Literature<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Philosphy_Literature.3a_Macau_syllabus_Autosaved_9.doc\">syllabus<\/a><br \/>\n<a href=\"http:\/\/wengu.tartarie.com\/wg\/wengu.php?l=bienvenue&amp;lang=en\">Chinese Classics<\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/UMMoodle-web-resource.doc\">UMMoodle Web Resources<\/a><\/p>\n<h2>Vanderbilt University, Courses for Fall 2012<\/h2>\n<h3>RLST 140 Great Books of Literature and Religion<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/RLST-140.F2012.doc\">syllabus<\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Introductory-Lecture-Print.doc\">Introductory Lecture for downloading<\/a><\/p>\n<h3>Divinity 3551 \/ Religion 3551: Postmodern Thought in the Wake of the Death of God<\/h3>\n<p><a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/2014\/03\/Postmodern-Thought.6-in-the-Wake-of-the-Death-of-God.rtf\">syllabus<\/a><\/p>\n<h2>Vanderbilt University, Courses for\u00a0Spring 2012<\/h2>\n<h3>Div 388 \/ RLST\u00a0246\u00a0 Apophatic Mysticism and Culture<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/RLST.246.4.mystical.apophasis.S.2012-Autosaved.doc\">syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Nargajunas-8-Negations.doc\">Nagarjuna&#8217;s 8 Negations<\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Nishida-General-Summary.pdf\">Nishida&#8217;s\u00a0\u201cGeneral Summay\u201d in conclusion to\u00a0<em>The System of Self-Conscioussens of the Universal <\/em><\/a><\/p>\n<h3>ITA 231\/ RLST 231 Dante&#8217;s Divine Comedy<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/ITARLST-231.syllabus-S-2012.doc\">syllabus<\/a><\/p>\n<h2>Vanderbilt University, Courses for\u00a0Spring 2010<\/h2>\n<h3>Div 388 \/ RLST 294\u00a0 Postmodern\u00a0Theologies and A\/theologies<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Syl-2010-Postmodern-Theologies.1.doc\">syllabus<\/a><\/p>\n<h3>ITA 231\/ RLST 231 Dante&#8217;s Divine Comedy<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Italian-231.syllabus-S-10.doc\">syllabus<\/a><\/p>\n<h2>Vanderbilt University, Courses for\u00a0Fall 2009<\/h2>\n<h3>DIV 3910-01\u00a0\/ REL 3910-01 \/\u00a0RLST 294\u00a0 Apophatic Theology and Culture<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/SYLLABUS.apophasis.F.09.doc\">syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/SCHEDULED-READINGS.doc\">Revised schedule of readings<\/a><\/p>\n<h3>RLST 140: Great Books of Religion and Literature: Foundations of Western Humanities Tradition<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/RLST-140.F.09.doc\">syllabus<\/a><\/p>\n<h2>Vanderbilt University, Courses for Spring 2009<\/h2>\n<h3>RLST 140: Great Books of Religion and LIterature: Foundations of Western Humanities Tradition<\/h3>\n<p><a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/RLST-140.rev.09.doc\">syllabus<\/a><\/p>\n<h3>Italian 231: Dante&#8217;s Divine Comedy<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Dante-syll.2009.doc\">syllabus<\/a><\/p>\n<h2>Vanderbilt-en-Aix, printemps,\u00a0 2008<\/h2>\n<h3>FR 211: Textes et Contextes: du Moyen Age \u00e0 1850<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/SYLL211-f08.doc\">syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/main-52.jpg\">Picture: Laurence et moi<\/a><\/p>\n<h3>FR 256. Existentialisme en Philosophie, Litt\u00e9rature et Th\u00e9ologie<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Existentialisme-syllabus-F08.doc\">syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2012\/02\/main-49.jpg\">Picture<\/a> <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/May-1-2008.doc\">Poem<\/a> <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Anamaria-improvising-theatre.pdf\">Picture<\/a><\/p>\n<h2>Vanderbilt-en-Aix, autumn,\u00a0 2008<\/h2>\n<h3>Fran\u00e7ais 220: Introduction \u00e0 la litt\u00e9rature fran\u00e7aise<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Fr-220-syllabus-S-08.doc\">Syllabus<br \/>\n<\/a><\/p>\n<p><a href=\"http:\/\/www.alalettre.com\/maupassant-horla.htm\">Maupassant,\u00a0<em>Le Horla<\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.coll-outao.qc.ca\/philo\/texte\/sartre.html\">Sartre, &#8220;La r\u00e9publique du silence&#8221;<\/a><\/p>\n<h3>Fran\u00e7ais 256: Existentialisme en Philosophie, Litt\u00e9rature, et Th\u00e9ologie<\/h3>\n<p><a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/Fr-256-Existentialisme-syllabus-S08.rev.1.doc\">Syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/existentialisme.doc\">Jean-Paul Sartre, &#8220;Existentialisme est un humanisme&#8221;<\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Sartre-Ltre-et-le-nant-.pdf\">Extraits de\u00a0<em>L&#8217;\u00catre et le n\u00e9ant<\/em><\/a><br \/>\n<a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/Mystere-Ontologique-Scan-.doc\">Gabriel Marcel,\u00a0<em>Le myst\u00e8re ontologique<\/em><\/a> <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Mystere-Ontologique-Scan-.pdf\">pdf.<br \/>\n<\/a><\/p>\n<p><a href=\"http:\/\/www.cvm.qc.ca\/ccollin\/conception\/existentielle\/communs.htm\">Traits communs des existentialistes<\/a><\/p>\n<p><a href=\"http:\/\/greenhead.ac.uk\/beacon\/lang\/camus.htm\">Sur Camus et Sartre<\/a><\/p>\n<p><a href=\"http:\/\/www3.sympatico.ca\/codan\/Personnages\/Beauvoir.htm\">Sur Simone de Beauvoir<\/a><\/p>\n<h2>Vanderbilt University, Courses for Fall 2007<\/h2>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Lectures-Vandy07.14.doc\">Postmodern Theory Lectures, Vanderbilt 2007<\/a><\/p>\n<h3>Post-Modern Theory:\u00a0In the Wake of the Death of God<\/h3>\n<p>Div 388\/French\u00a0 William Franke<br \/>\nFall 2007 Office:\u00a0203 Furman<br \/>\nW 3:10-5:00\u00a0 Hours:\u00a0W 5-6; T 4-5, and by appt.<br \/>\nTel: 2-6902; 3-6659<\/p>\n<p>This course will serve as a general introduction to recent theory tailored to students of religion.<\/p>\n<p>If modernism is understood to be the age of the subject, the age that begins when self-consciousness says, \u201cI think, therefore I am\u201d (Descartes, 1638), making itself the foundation of its very existence, postmodernity begins when this postulate of the autonomous, self-grounding subject enters into crisis and collapses.\u00a0Without the individual subject as secure foundation, the presumably stable values of modern tradition since the Renaissance are undermined in all domains from market economies based on the free choices of independent individuals to aesthetic styles of subjective self-expression familiar, for example, in Romantic and Expressionist art.\u00a0The new sense of a lack of foundations, of no tangible or knowable reality underlying and grounding the flux of appearances in experience, opens thought and praxis in the diverse directions that have become recognizable as characteristically \u201cpostmodern.\u201d\u00a0Simulacra, inauthenticity, lack of origins or originals, hence proliferating pluralities which nevertheless evince no real distinctions from one another in a consumer society of mass production are some of the typical manifestations of this postmodern milieu.\u00a0We will undertake to survey important theoretical statements concerning these developments by authors such as Derrida, Baudrillard, and Mark C. Taylor.\u00a0We will also inquire into the limits and alternatives to postmodernism that may be present on the scene today. Religious sources and manifestations will be particularly emphasized in order to help us comprehend postmodernism as the era of the Death of God.<\/p>\n<p>A couple of films, particularly\u00a0<em>The Matrix, <\/em>Part I (1999, dir. Andy and Larry Wachowsky),\u00a0<em>The Truman Show<\/em> (1998, dir. Peter Weir), and perhaps\u00a0<em>Angels<\/em><em> in America<\/em> (2003, dir. Tony Kushner), emphasizing especially the role of religion in postmodernity, will be discussed.<br \/>\nThe main text, from which most of the assignments will be drawn, is:<br \/>\n<em>From Modernism to Postmodernism: An Anthology<\/em>, ed. Lawrence Cahoone (Blackwell 2003)<\/p>\n<p>This text will be supplemented with readings from\u00a0<em>The Postmodern God: A Theological Reader, <\/em>ed. Graham Ward (Oxford: Blackwell, 1997), abbreviated: PMG.<\/p>\n<p>Also recommended:<br \/>\nKevin Hart,\u00a0<em>Postmodernism: A Guide for Beginners<\/em> (Oneworld Publishers, 2004)<br \/>\nThomas J. J. Altizer,\u00a0<em>Godhead and the Nothing<\/em> (State University of New York Press, 2003)<br \/>\nJohn Milbank,\u00a0<em>Theology and Social Theory: Beyond Secular Reason<\/em>, 2<sup>nd<\/sup> ed. (Oxford: Blackwell, 2006)<br \/>\n<em>Radical Orthodoxy: A New Theology<\/em>. Eds. John Milbank, Graham Ward, and Catherine Pickstock. \u00a0(London ; New York : Routledge, 1998).\u00a0ISBN 041419699X (pbk)<br \/>\n<em>Secular Theology: American Radical Theological Thought<\/em>, ed. Clayton Crockett (New York: Routledge, 2001)<\/p>\n<h4>Schedule of Readings:<\/h4>\n<p>1. Introduction:\u00a0Postmodernism and its Others<br \/>\n<strong>Theoretical Paradigms<\/strong><br \/>\n2. Definitions of the Postmodern:\u00a0From the Power of \u201cNow\u201d to the Potencies of \u201cPost\u201d<br \/>\nLyotard, From\u00a0<em>The Postmodern Condition: A Report on Knowledge<\/em> 259-77<br \/>\nIhab Hassan, \u201cPOSTmodernISM: A Practical Bibliography\u201d 410-20<br \/>\nCharles Jencks, From \u201cWhat is Post-Modernism?\u201d 458-63<br \/>\nJohn Milbank, \u201cPostmodern Critical Augustinianism,\u201d PMG 265<br \/>\n3.\u00a0The Subversion of the Sign<br \/>\nFerdinand de Saussure, From\u00a0<em>Course in General Linguistics<\/em>, 122-26<br \/>\nJacques Derrida, \u201cDiff\u00e9rance\u201d 225-40<br \/>\n[+ \u201cHow to Avoid Speaking\u201d PMG 167]<br \/>\nWittgenstein, From\u00a0<em>Tractatus Logico-Philosophicus<\/em> 143<br \/>\nMichel de Certeau, \u201cHow is Christianity Thinkable Today?\u201d PMG 142<br \/>\n4.\u00a0Death of God and Demise of Values and Civilization<br \/>\nFriedrich Nietzsche, \u201cThe Madman,\u201d\u00a0\u201cHow the World Became a Fable,\u201d<br \/>\n\u201cThe Dionysian World\u201d 116-17<br \/>\nMichel Foucault, \u201cNietzsche, Genealogy, History\u201d and From \u201cTruth and<br \/>\nPower\u201d 241-53<br \/>\nMark C. Taylor, From\u00a0<em>Erring: A Postmodern Atheology<\/em> 435-46<br \/>\nSigmund Freud, From\u00a0<em>Civilization and its Discontents<\/em> 144-49<br \/>\nJacques Lacan, \u201cThe Death of God,\u201d PMG 32<br \/>\n5.\u00a0Simulations and Alterities<br \/>\nBaudrillard, From\u00a0<em>Symbolic Exchange and Death<\/em> 421-34<br \/>\nJacques Lacan, \u201cThe Mirror Stage as Formative of the Function of the I as<br \/>\nRevealed in Psychoanalytic Experience\u201d 195-99<br \/>\nRen\u00e9 Girard, \u201cThe God of Victims\u201d PMG 105<br \/>\n<strong>Social\/Political\/Cultural Applications<\/strong><br \/>\n6. Postmodern Feminisms<br \/>\nLuce Irigaray, \u201cThe Sex Which is Not One\u201d 254-58<br \/>\nSandra Harding, \u201cFrom Feminist Empiricism to Feminist Standpoint<br \/>\nEpistemologies\u201d 342-53<br \/>\nSusan Bordo, \u201cThe Cartesian Masculinization of Thought and<br \/>\nSevententh-Century Flight from the Feminine\u201d 354-69<br \/>\nIrigaray, \u201cEqual to Whom?\u201d PMG 198<br \/>\nRebecca S. Chopp, \u201cFrom Patriarchy into Freedom: A Conversation<br \/>\nbetween American Feminist Theology and French Feminism,\u201d PMG 235<br \/>\n7. Constructions of Identity<br \/>\nIris Marion Young, From \u201cThe Scaling of Bodies and the Politics of<br \/>\nIdentity\u201d 370-82<br \/>\nCornel West, \u201cA Genealogy of Modern Racism\u201d 298-301<br \/>\nJudith Butler, \u201cContingent Foundations: Feminism and the Question of<br \/>\n\u2018Postmodernism\u2019\u201d 390-401<br \/>\nMichel Foucault, from\u00a0<em>The History of Sexuality<\/em>, PMG 123<br \/>\n8.\u00a0Postmodern Economy and Society<br \/>\nKarl Marx and Frederich Engels, \u201cBourgeois and Proletarians\u201d 75-82<br \/>\nDaniel Bell, From\u00a0<em>The Coming of Post-Industrial Society<\/em> 209-18<br \/>\nFredric Jameson, \u201cThe Cultural Logic of Late Capitalism\u201d 564-74<br \/>\n[Adam Smith, From\u00a0<em>The Theory of Moral Sentiments<\/em> 38-44]<br \/>\nGeorges Bataille, From\u00a0<em>Theory of Religion,<\/em> PMG 15<br \/>\n9.\u00a0Postmodern Architecture and Art<br \/>\nLe Corbusier, From\u00a0<em>Towards a New Architecture<\/em> 132-38<br \/>\nCharles Jencks, From \u201cThe Death of Modern Architecture\u201d 457-58<br \/>\nRobert Venturi, From\u00a0<em>Complexity and Contradiction in Architecture<\/em> 403-9<br \/>\nHal Foster, \u201cSubversive Signs\u201d 310-18<br \/>\n10.\u00a0Postmodern Science: \u00a0Irrealities and Hyper-realities<br \/>\nMax Weber, \u201cScience as a Vocation\u201d 127-31<br \/>\nThomas Kuhn, From \u201cThe Nature and Necessity of Scientific Revolution\u201d<br \/>\n200-08<br \/>\nDavid Ray Griffin, From \u201cThe Reenchantment of Science\u201d 482-95<br \/>\nDonna Haraway, From \u201cA Manifesto for Cyborgs: Science, Technology,<br \/>\nand Socialist Feminsim in the 1980s\u201d 464-81<br \/>\n[Niklas Luhmann, \u201cThe Cognitive Program of Constructivism and a<br \/>\nReality that Remains Unknown\u201d 496-511]<br \/>\n[Richard Rorty, \u201cSolidarity or Objectivity?\u201d 447-56]<br \/>\n<strong> Genealogies of Postmodernism<\/strong><br \/>\n11. The Attack on Humanism and Some Alternatives<br \/>\nHeidegger, \u201cLetter on Humanism\u201d 174-94 \u00a0<a href=\"http:\/\/metataphysica.free.fr\/Heidegger\/Brief-uber-den-Humanismus.pdf\">Brief \u00fcber den Humanismus<\/a> <a href=\"http:\/\/metataphysica.free.fr\/Heidegger\/Brief-uber-den-Humanismus.pdf\">Identi\u00e4t und Differenz<\/a><br \/>\nJean Paul Sartre, From \u201cExistentialism\u201d 169-73<br \/>\nAlasdair McIntyre, \u201cThe Virtues, the Unity of a Human Life, and the<br \/>\nConcept of a Tradition\u201d 550-63<br \/>\nHabermas, \u201cAn Alternative Way Out of the Philosophy of the Subject:<br \/>\nCommunicative versus Subject-Centered Reason\u201d 592-600<br \/>\n12. Crisis of Secular Enlightenment Rationalism and Secular Theology<br \/>\nEdmund Husserl, from\u00a0<em>The Crisis of European Sciences and Transcendental<\/em><br \/>\n<em> Phenomenology<\/em> 149-58<br \/>\nMax Horkheimer and Theodor Adorno, from\u00a0<em>Dialectic of Enlightenment<\/em> 159-68<br \/>\nClayton Crockett,\u00a0<em>Secular Theology<\/em><br \/>\nThomas J. J. Altizer,\u00a0<em>Godhead and the Nothing<\/em><br \/>\n<a href=\"http:\/\/www.religion-online.org\/showchapter.asp?title=537&amp;C=590\">Altizer,\u00a0<em>Radical Theology and the Death of God<\/em><\/a><br \/>\n<a href=\"http:\/\/www.luthersem.edu\/ctrf\/JCTR\/Vol02\/Altizer.htm\">Thomas Altizer, &#8220;Apocalypticism and Modern Thinking,&#8221;\u00a0<em>Journal for Christian Theological Research<\/em>, 2\/2 (1997)<\/a><br \/>\n13. Radical Orthodoxy \u00a0<a href=\"http:\/\/radical-orthodoxy.monsite.wanadoo.fr\/page1.html\">Orthodoxie Radicale<\/a><br \/>\nMilbank,\u00a0<em>Theology and Social Theory: Beyond Secular Reason<\/em>, chapter 10: Ontological Violence or the Postmodern Problematic\u201d pp. 278-327<br \/>\n+ chapter 6: \u201cFor and Against Hegel\u201d<br \/>\n<em>Radical Orthodoxy<\/em>. Eds. John Milbank, Graham Ward, and Catherine Pickstock<br \/>\npp. 1-37<br \/>\n14. Literary and Liturgical Epistemologies<br \/>\nRoland Barthes, \u201cWrestling with the Angel,\u201d PMG 84<br \/>\nJean-Ives Lacoste, \u201cLiturgy and Kenosis,\u201d PMG 249<br \/>\nCatherine Pickstock, \u201cAsyndeton: Syntax and Insanity,\u201d PMG 297<br \/>\nJulia Kristeva, from\u00a0<em>In the Beginning Was Love <\/em>PMG 223<br \/>\n15. Postmodern Theology as Critique of Philosophy<br \/>\nEmmanuel Levinas, \u201cGod and Philosophy\u201d PMG 52<br \/>\nJean-Luc Marion, \u201cMetaphysics and Phenomenology: A Summary for<br \/>\nTheologians,\u201d PMG 279<br \/>\nGraham Ward, Introduction to PMG (p. xlii)<br \/>\nWittgenstein, \u201cLecture on Ethics\u201d 139-42<\/p>\n<h4>For graduate students in French<\/h4>\n<p>:<br \/>\nFrench theory has in many respects been the driving force of postmodern thought.\u00a0This course features selections by Lyotard, Derrida, Baudrillard, Irrigaray, Kristeva, Sartre, Deleuze, Le Corbusier, Saussure, Lacan, Levinas, Marion, and others, together with the broader postmodern movement in which they have played a catalyzing role.\u00a0It is proposed for graduate students in French with the specifications that they should read these authors in French and that their research paper focus on some author(s) or aspect(s) of French literary and\/or cultural theory.\u00a0Graduate students in French are encouraged to write their essays in French.<br \/>\nIrrigaray, \u201c\u00c9gales \u00e1 Qui\u201d\u00a0<em>Critique <\/em>480 (1987): 420-437<br \/>\n\u201c\u00a0 \u201cFemmes Divines\u201d\u00a0<em>Critique<\/em> 454 (1985): 295-308 (supplementary)<br \/>\n\u201c \u00a0<em>Ce sexe qu n\u00e9n est pas un<\/em>, pp. 23-32<br \/>\nDerrida, \u201cComment ne pas parler: D\u00e9n\u00e9gations\u201d<em>Psyche<\/em>, pp. 535-594<br \/>\n\u201c \u201cLa Diff\u00e9rance,\u201d\u00a0<em>Marges de la philosophie<\/em>, pp. 41-66<br \/>\nFoucault\u00a0<em>Histoire de la sexualit\u00e9<\/em> vol. 1, pp. 76-98<br \/>\n\u201cNietzsche, la g\u00e9n\u00e9alogie, l\u2019histoire,\u201d\u00a0<em>Dits et \u00e9crits<\/em> 1971<br \/>\nLevinas, \u201cDieu et la Philosophie,\u201d\u00a0<em>De Dieu qui vient \u00e0 l\u2019id\u00e9e<\/em>, pp. 93-127<br \/>\nLacan, \u201cLa mort de Dieu,\u201d\u00a0<em>L\u2019\u00c9thique de la psychanalyse<\/em>, pp. 197-208<br \/>\nBataille, \u201cLe sacrifice, la fete et les principes du monde sacr\u00e9,\u201d<em>Oeuvres compl\u00e8tes<\/em>, vol.\u00a0VII, pp. 307-318<br \/>\nDe Certeau,\u00a0<em>La Faibless de croire<\/em>, pp. 208-226<br \/>\nGirard, \u201cLe Dieu des victimes,\u201d<em>La route antique des homes pervers<\/em>, pp. 225-246<br \/>\nBarthes, \u201cLa lutte avec l\u00e1nge\u201d<em>Oeuvres competes<\/em>, vol. IV pp. 157-169<br \/>\nKristeva,\u00a0<em>Au commencement etait l\u2019amour<\/em><br \/>\nMarion, Jean-Luc. \u201cM\u00e9taphysique et ph\u00e9nom\u00e9nologie: une rel\u00e8ve pour la th\u00e9ologie,\u201d Bulletin de literature eccl\u00e9siastique XCIV\/3 (1993): 189-206.<\/p>\n<p>Saussure,\u00a0<em>Cours de linguistique g\u00e9n\u00e9rale<\/em><br \/>\nLe Corbusier,\u00a0<em>Vers une architecture<\/em><br \/>\nBaudrillard,\u00a0<em>L\u2019exchange symbolique et la mort<\/em><br \/>\nLacan, \u201cLe stade du miroir\u201d\u00a0http:\/\/perso.wanadoo.fr\/espace.freud\/topos\/psycha\/psysem\/miroir.htm<br \/>\nLyotard,\u00a0<em>La condition postmodern<\/em>, pp. 7-9, 54-68, 98-108<\/p>\n<h3>Great Books of Literature and Religion: Foundations of Western HUumanities Tradition<\/h3>\n<p><strong>RLST 140 \u00a0 William Franke<\/strong><br \/>\n<strong>Fall 2007 Office:\u00a0203 Furman<\/strong><br \/>\n<strong>T R 2:35-3:50 Hours: W 5-6; T 4-5, and by appt. <\/strong><br \/>\n<strong>BT 301 \u00a0 Tel: 2-6902; 3-6659<\/strong><\/p>\n<h4>General Description<\/h4>\n<p>This course serves as a general introduction to outstanding &#8220;great books&#8221; of the Western world.\u00a0They constitute founding texts of the &#8220;humanities.&#8221;\u00a0This intellectual tradition will be traced from its origins in both Greco-Roman and Judeo-Christian (Bible) literature.\u00a0These two cultures will then be viewed in their synthesis in the medieval period.<br \/>\nOur attempt to assimilate these works, which have been basic to liberal education in the West since its inception, will stimulate effort to develop and refine our own powers of reading and interpretation.\u00a0We will engage the strongly literary quality of the works, moreover, by the exercise of producing writing of our own nourished by critical reflection upon them.\u00a0Their fundamentally theological vision, expressed in prophetic poetry, will be a constant focus of the lectures.<\/p>\n<h4>Basic Texts<\/h4>\n<p>(in order of use)<br \/>\n_________\u00a0The New Oxford Annotated Bible with the Apocrypha<br \/>\nHomer The Odyssey (Cook translation)<br \/>\nVirgil The Aeneid (Fitzgerald translation)<br \/>\nAugustine \u00a0The Confessions (Sheed translation)<br \/>\nDante The Inferno (Mandelbam translation)<\/p>\n<h4>Assignments<\/h4>\n<p>8\/29 Introduction:\u00a0The Humanities and Personal Knowledge<br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Preface.1-The-Revelation-of-Imagination.1.doc\">Preface <\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Preface.25.doc\">Introductory Lecture<\/a> <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Introduction.18.doc\"> Introductory Lecture<\/a><\/p>\n<p>9\/4 GENESIS, Chapters 1-11 (verse 9) + PSALMS\u00a08, 18, 19, 22-24, 110, 114, 119<br \/>\n9\/6 EXODUS, Chapters 1-20, 24, 32-34<br \/>\n9\/11 ISAIAH, Chapters 1-14, 34-44, 52-55, 60-62<br \/>\n+ DANIEL, Chapters 2, 3, 7, 10-12<br \/>\n9\/13\u00a0SONG OF SOLOMON and ECCLESIASTES<br \/>\n<a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/Ch.1.4.Bible.NWUP.2013.Franke.ms.doc\"> Lectures on the Bible<\/a><br \/>\n9\/18\u00a0GOSPEL ACCORDING TO MATTHEW<br \/>\n9\/20\u00a0Homer, ODYSSEY Books I-IV<\/p>\n<p>9\/25 \u201c \u201c Books V-VIII<br \/>\n9\/27 \u00a0 Homer, ODYSSEY Books IX-XII<br \/>\n<strong> <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Ch.2.-Homer.12.doc\">Lectures on the Odyssey<\/a><\/strong><br \/>\n10\/2 \u201c\u00a0 \u201c Books XIII-XVI<br \/>\n10\/4 Homer, ODYSSEY\u00a0Books XVII-XX<br \/>\n10\/9 \u201c \u00a0 \u201c Books XXI-XXIV<br \/>\n10\/11 Virgil, AENEID Book I-II<br \/>\n<strong>DUE: PAPER #1<\/strong><br \/>\n10\/16\u00a0 \u201c \u00a0 \u201c \u00a0 Books II-III<br \/>\n10\/18 Virgil, AENEID \u00a0 Books IV-V \u00a0<a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/Ch.3.2.Virgil.NWUP.2014.Franke.ms.doc\">Lectures on the Aeneid<\/a><\/p>\n<p>10\/23 OCTOBER BREAK<\/p>\n<p>10\/25 \u201c \u201c Books VI-VII<br \/>\n10\/30 Virgil, AENEID \u00a0 Books VII-IX<br \/>\n11\/1 Virgil, AENEID Books X-XII<br \/>\n11\/6 Augustine, CONFESSIONS\u00a0Books I-II <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Ch.4.-Augustine.12.doc\">Lectures on the Confessions <\/a><br \/>\n11\/8\u00a0 Augustine, CONFESSIONS\u00a0Books III-IV &#8216;<br \/>\n11\/13 \u201c \u201c Books V-VII<br \/>\n11\/15 Augustine, CONFESSIONS Books VIII-IX<br \/>\n11\/20 \u201c \u00a0 \u201c Books X-XI<br \/>\n11\/22 \u201c\u00a0 \u201c \u00a0 Books XII-XIII<br \/>\n11\/27\u00a0&#8212;&#8212;&#8212;&#8212;THANKSGIVING HOLIDAYS&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br \/>\n11\/29<br \/>\n<strong><br \/>\n<\/strong>12\/4 Dante, INFERNO \u00a0 Cantos I-VIII \u00a0<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Ch.5.-Dante.12.doc\"> Lectures on Inferno<\/a><br \/>\n12\/6\u00a0 &#8221; &#8221; Cantos IX-XIX<\/p>\n<p>12\/11 Dante, INFERNO \u00a0 Cantos XX-XXVI<br \/>\n12\/13\u00a0 &#8221; &#8221; Cantos XXVII-XXXIV<br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Conclusion-RI.4.doc\"> Concluding Lecture<\/a><\/p>\n<p><strong>FINAL DUE DATE: PAPER #2<\/strong><\/p>\n<h4>Evaluation and Requirements<\/h4>\n<p>About every other week there will be a brief quiz consisting in short answer questions to check on basic familiarity with the reading. \u00a0The average of the quiz grades will count as the equivalent of a paper in calculating final grades.<br \/>\nPapers are to be expository essays, 5-7 pages in length, interpreting one or more of the works studied.\u00a0<em>Suggested<\/em> paper topics will be issued at least a week prior to each due date, however students are free to write on a topic of their own choosing.\u00a0Each student is required to turn in a total of\u00a0<strong>TWO PAPERS<\/strong>.<br \/>\nPresence and participation of each student in every class is expected.<br \/>\nThe Vanderbilt University Honor Code applies to all work submitted for this course.<\/p>\n<h4>Recommended Method of Study<\/h4>\n<p>The interpretation of assigned texts may begin by the student&#8217;s formulating and analyzing main ideas in a notebook at the conclusion of each reading assignment.\u00a0Another entry likewise composed of 1) summary statements and 2) evaluative remarks&#8211;on facing pages&#8211;may be made punctually after lectures and discussions of each class.\u00a0These notes can be reviewed and discussed with instructor for the purpose of focusing essay topics based on the student&#8217;s own emergent interests.<\/p>\n<h4>Objectives to Keep in Mind<\/h4>\n<p>Remember that in reading\/writing you are competing only against yourself.\u00a0The goal is to discover<em> personal<\/em> significance in the universal human experiences conveyed by great books and to develop your own discourse for articulating your experience of these texts and of life and human concerns generally.<\/p>\n<p><a href=\"http:\/\/firefighters.org\/kjv\/bible\/index.cfm\">KGV Bible audio on-line<\/a><\/p>\n<p><a href=\"http:\/\/worldwide.familyradio.org\/fr\/mp3\/bible\/\">Bible auio fran\u00e7ais<\/a><\/p>\n<p><a href=\"http:\/\/www.sacred-texts.com\/cla\/virgil\/aen\/aenl12.htm\"><em>Aeneid<\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.stoa.org\/hippo\/comm.html\">Confessions<\/a><\/p>\n<h2>University of Salzburg, Fakult\u00e4t f\u00fcr katholische Theologie,<br \/>\nZentrum Theologie Interkulturell und Studium der Religionen<\/h2>\n<p>*Postmodernreligionsphilosophien<br \/>\nAusgehend von klassischen Debatten zwischen Hegel und Kierkegaard, Schleiermacher und Schelling, beziehen sich diese Vorlesungen auf Spannungen unter Religionsphilosophien heute, insbesondere zwischen Amerikanischen s\u00e4kularisationtheologer in der Nachflolge von der \u201cDeath of God\u201d Theologie und der Bewegung der \u201cRadical Orthodoxy,\u201d die von Cambridge, England herstr\u00f6mmt.\u00a0Die Frankfurter Schule, insbesondere Horkheimer, Adorno, and Habermas, wird auch in Betracht gezogen als bahnbrechend f\u00fcr eine postmoderne kritische negative Theologie.\u00a0Es wird erkl\u00e4rt, wie eine solche Theologie Dialog zwischen verfeindeten Kulturen erm\u00f6glichen kann, bzw. zwischen abendl\u00e4ndischen s\u00e4kularisierten Intellektuellen und radikalen Islamisten.<br \/>\nIm allgemeinen, geht es um postmoderne Theorien und ihre theologische Bedeutung.\u00a0Die entscheidenden Texte und Ideen seit Saussure,\u00a0von Foucault, Derrida, Irigaray, Adorno, etc., werden als Ablehnung der Aufkl\u00e4rung angesehen.\u00a0 Die\u00a0neuen Perspektiven f\u00fcr religi\u00f6ses Denken und Leben, die dadurch g\u00f6ffnet sind, werden erprobt. \u00a0(Sehe unten \u201cPost-Modern Theory:\u00a0In the Wake of the Death of God\u201d f\u00fcr detaillierten Inhalt&#8211;auch auf dem <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Religionsphilosophie.syllabus.doc\">Syllabus<\/a> . <a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Religionsphilosophie.syllabus.2.doc\">Vertagung<br \/>\n<\/a> \u00dcbersetzte Bruchst\u00fccke\u00a0aus:<br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Lectures-Salzburg.12.doc\">Postmodernism Lectures, Salzburg 2007<\/a> <a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-1]trans.rev.doc\">Vorlesung 1<\/a><br \/>\n<a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/PM2__bersetzung[1].doc\">Vorlesung 2<\/a><br \/>\n<a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/PM3-Ubersetzung[korrigiert].doc\">Vorlesung 3<\/a><br \/>\n*Dantes Paradiso im theologischen Hinblick<br \/>\nEine \u201cclose reading\u201d von dem letzten Teil Dantes \u201cG\u00f6ttliche Komm\u00f6die\u201d fokalisiert auf die Poetik des Schweigens, sowie auf die negative politische Theologie, die Dante vertret in seiner\u00a0<em>visio Dei<\/em>.\u00a0Die geistliche Reise Dantes zur mystischen Anschauung Gottes durch seine dichterische Sprache wird gelesen auf den Hintergrund des mittelalterlichen Mysticismus, aber auch in Bezug zu aktuellem theologischen Denken, besonders im Bereich der negativen Theologie (zum Beispiel von Jean-Luc Marion).<\/p>\n<p><a href=\"http:\/\/gutenberg.spiegel.de\/dante\/komoedie\/komoedie.htm\">Die g\u00f6ttliche Kom\u00f6die<\/a><\/p>\n<p><a href=\"http:\/\/de.wikisource.org\/wiki\/Dante_Alighieri\">Dantes Werke<\/a><br \/>\n<a href=\"http:\/\/web.uni-marburg.de\/hosting\/\/ddg\/links.html#texte\">Deutsche Dante-Gesellschaft:\u00a0 Texte, Darstellungen, Erl\u00e4uterungen<\/a><br \/>\n<a href=\"http:\/\/oll.libertyfund.org\/Home3\/HTML.php?recordID=0045.03\">Courtney Langdon trans. und Kommentar<\/a><br \/>\n*Apophatische oder negative Theologie in der Kultur<br \/>\nPlaton und Neuplatonismus; mittelalterlicher Mysticismus; Kabbalah,<br \/>\nSufis; Baroque Mystiker wie Johann von Kreuz und Silesius Angelus;<br \/>\nApophasis der Romantiker (Schelling, Kierkegaard, H\u00f6lderlin, Emily Dickinson); Denker und Schrifsteller vom Schweigen in der Moderne und Postmoderne, wie Wittgenstein, Derrida, Bataille, Heidegger, Celan, Blanchot, und andere.Vergleiche zu orientalischem Denken insbesondere im Bereich von\u00a0Indischen Advaita Vedanta\u00a0und Chinesischen Taoismus.\u00a0 Es wird betonnt wie die negative Theologie Passagen \u00f6ffnet zwischen verschiedenen Kulturen jenseits ihren unterschiedlichen Begrifflichkeiten.<br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Religionsphilosophie.syllabus.doc\">Syllabus<\/a><\/p>\n<p><a href=\"http:\/\/de.wikipedia.org\/wiki\/Vedanta\">Advaita Vedanta<\/a><\/p>\n<p><a href=\"http:\/\/www.my-event-horizon.de\/index.php?vedanta-sutren\">Vedanta Sutren<\/a><\/p>\n<p><a href=\"http:\/\/www.bharatadesam.com\/spiritual\/brahma_sutra\/brahma_sutra_sankara_index.php\"><em>Brahma Sutras<\/em> with Commentary by\u00a0 Sri Adi Sankaracharya<\/a><\/p>\n<p><a href=\"http:\/\/www.yoga-vidya.de\/Yoga--Buch\/Upanischaden\/Vorwort1.htm#Inhalt\">Klassische Upanishaden<\/a><\/p>\n<p><a href=\"http:\/\/www.divya-jyoti.de\/Yoga-Texte.htm\">Yoga-Texte<\/a> <a href=\"http:\/\/www.yoga-karlsruhe.de\/yoga.htm\">Was ist Yoga?<\/a><\/p>\n<p><a href=\"http:\/\/bibliotheque.editionsducerf.fr\/par%20page\/2195\/TM.htm#\">Entretiens de Ramakrishna<\/a><\/p>\n<p><a href=\"http:\/\/www.thetao.info\/english\/deutsch.htm\">Lao Tse&#8211;Das\u00a0<em>Tai Te King<\/em> aus dem Chinesischen<\/a> <a href=\"http:\/\/www.religiousworlds.com\/taoism\/ttc-bach.html\">Bachofen \u00dcbersetzung<\/a><br \/>\n<a href=\"http:\/\/de.wikipedia.org\/wiki\/Zhuangzi\">Chuang Tzu<\/a> <a href=\"http:\/\/www.iep.utm.edu\/z\/zhuangzi.htm\">Zhuangzi<\/a> <a href=\"http:\/\/www.geistigenahrung.org\/ftopic884.html\">Taoismus<\/a><\/p>\n<p><a href=\"http:\/\/www.zensite.de\/Zensite\/te1\/Nagarjuna.htm\">Nargajuna,\u00a0<em>Strophen ueber das Mahayana<\/em><\/a><\/p>\n<p><a href=\"http:\/\/www.uni-ulm.de\/uni\/intgruppen\/memosys\/shunya01.htm\">Nargajuna und die Logik der Leere von der Leere<\/a><\/p>\n<p><a href=\"http:\/\/www.schopenhauer-buddhismus.de\/Buddhismus\/Mahayana_\/mahayana_.html\">Nargajuna, Mahayana Buddhismus, und Schopenhauer<\/a><\/p>\n<p><a href=\"http:\/\/de.wikipedia.org\/wiki\/Nishitani_Keiji\">Kejii Nishitani und die Kyoto Schule<\/a><br \/>\n<em>Religion and Nothnigness The Self-Overcoming of\u00a0Nihilism<\/em><\/p>\n<p><a href=\"http:\/\/ethik-portal.orgfree.com\/buddhismusportal\/koan.html\">ZEN<\/a><\/p>\n<h2>Vanderbilt Courses for Fall 2006<\/h2>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/PM-Lectures-Vanderbilt.doc\">Vanderbilt Lectures on Postmodernism, Fall 2006<\/a><\/p>\n<h3>Post-Modern Theory: In the Wake of the Death of God<\/h3>\n<p>Divinity 3880<br \/>\nComparative Literature Program<br \/>\nFall\u00a02006<br \/>\nOffice: 203 Furman (tel: 2-6902)<br \/>\nHours: T 1:30-2:30 &amp; W 2-3:00<\/p>\n<p>This course will serve as a general introduction to recent theory tailored to students of religion.<\/p>\n<p>If modernism is understood to be the age of the subject, the age that begins when self-consciousness says, \u201cI think, therefore I am\u201d (Descartes, 1638), making itself the foundation of its very existence, postmodernity begins when this postulate of the autonomous, self-grounding subject enters into crisis and collapses. Without the individual subject as secure foundation, the presumably stable values of modern tradition since the Renaissance are undermined in all domains from market economies based on the free choices of independent individuals to aesthetic styles of subjective self-expression familiar, for example, in Romantic and Expressionist art. The new sense of a lack of foundations, of no tangible or knowable reality underlying and grounding the flux of appearances in experience, opens thought and praxis in the diverse directions that have become recognizable as characteristically \u201cpostmodern.\u201d Simulacra, inauthenticity, lack of origins or originals, hence proliferating pluralities which nevertheless evince no real distinctions from one another in a consumer society of mass production are some of the typical manifestions of this postmodern milieu. We will undertake to survey important theoretical statements concerning these developments by authors such as Derrida, Baudrillard, and Mark C. Taylor.<\/p>\n<p>We will also inquire into the limits and alternatives to postmodernism that may be presenting themselves on the scene today. Religious sources and manifestations will be particularly emphasized in order to help us comprehend postmodernism as the era of the Death of God.<\/p>\n<p>A couple of films, such as\u00a0<em>The Passion of the Christ <\/em>(2004, dir. Mel Gibson),\u00a0<em>The Omega Code<\/em> (1999, dir. Rob Marcarelli),<em> Terminator 2 Judgment Day <\/em>(1991, dir. James Cameron),\u00a0<em>Angels in America<\/em> (2003, dir. Tony Kushner), emphasizing especially the role of religion in postmodernity, may be screened and discussed.<\/p>\n<p>The main text, from which most of the assignments will be drawn is:<\/p>\n<p><em>From Modernism to Postmodernism: An Anthology<\/em>, ed.\u00a0Lawrence\u00a0Cahoone (Blackwell 2003)<\/p>\n<p>This text will be supplemented with readings from\u00a0<em>The Postmodern God: A Theological Reader, <\/em>ed. Graham Ward (Oxford: Blackwell, 1997), abbreviated: PMG; and from\u00a0<em>Religion, Modernity and Postmodernity<\/em>, ed. Paul Heelas (Oxford: Blackwell, 1998), abbreviated: RMP<\/p>\n<h4>Schedule of\u00a0Readings<\/h4>\n<p>1. Introduction: Postmodernism and its Others +<\/p>\n<p>Two Paradigms of Divine Death<\/p>\n<p>2. Definitions<\/p>\n<p>Lyotard, From\u00a0<em>The Postmodern Condition A Report on Knowledge<\/em> 259-77<\/p>\n<p>Ihab Hassan, \u201cPOSTmodernISM: A Practical Bibliography\u201d 410-20<\/p>\n<p>Charles Jencks, From \u201cWhat is Post-Modernism?\u201d 458-63<\/p>\n<p>John Milbank, \u201cPostmodern Critical Augustinianism,\u201d PMG 265<\/p>\n<p>3. The Subversion of the Sign<\/p>\n<p>Ferdinand de Saussure, From\u00a0<em>Course in General Linguistics<\/em>, 122-26<\/p>\n<p>Jacques Derrida, \u201cDiff\u00e9rance\u201d 225-40<\/p>\n<p>[+ \u201cHow to Avoid Speaking\u201d PMG 167]<\/p>\n<p>Hal Foster, \u201cSubversive Signs\u201d 310-18<\/p>\n<p>Wittgenstein, From\u00a0<em>Tractatus Logico-Philosophicus<\/em> 143<\/p>\n<p>Michel de Certeau, \u201cHow is Christianity Thinkable Today?\u201d PMG 142<\/p>\n<p>4. Death of God and Demise of Values and Civilization<\/p>\n<p>Friedrich Nietzsche, \u201cThe Madman,\u201d \u201cHow the World Became a Fable,\u201d<\/p>\n<p>\u201cThe Dionysian World\u201d 116-17<\/p>\n<p>Michel Foucault, \u201cNietzsche, Genealogy, History\u201d and From \u201cTruth and<\/p>\n<p>Power\u201d 241-53<br \/>\nMark C. Taylor, From\u00a0<em>Erring: A Postmodern Atheology<\/em> 435-46<\/p>\n<p>Sigmund Freud, From\u00a0<em>Civilization and its Discontents<\/em> 144-49<\/p>\n<p>Jacques Lacan, \u201cThe Death of God,\u201d PMG 32<\/p>\n<p>5. Simulations and Alterities<\/p>\n<p>Baudrillard, From\u00a0<em>Symbolic Exchange and Death<\/em> 421-34<\/p>\n<p>Jacques Lacan, \u201cThe Mirror Stage as Formative of the Function of the I as<\/p>\n<p>Revealed in Psychoanalytic Experience\u201d 195-99<\/p>\n<p>Ren\u00e9 Girard, \u201cThe God of Victims,\u201d PMG 105<\/p>\n<p>6. Postmodern Feminisms<\/p>\n<p>Luce Irigaray, \u201cThe Sex Which is Not One\u201d 254-58<\/p>\n<p>Sandra Harding, \u201cFrom Feminist Empiricism to Feminist Standpoint<\/p>\n<p>Epistemologies\u201d 342-53<\/p>\n<p>Susan Bordo, \u201cThe Cartesian Masculinization of Thought and<\/p>\n<p>Sevententh-Century Flight from the Feminine\u201d 354-69<\/p>\n<p>Irigaray, \u201cEqual to Whom?\u201d PMG 198<\/p>\n<p>Rebecca S. Chopp, \u201cFrom Patriarchy into Freedom: A Conversation<\/p>\n<p>between American Feminist Theology and French Feminism,\u201d PMG 235<\/p>\n<p>7. Constructions of Identity<\/p>\n<p>Iris Marion Young, From \u201cThe Scaling of Bodies and the Politics of<\/p>\n<p>Identity\u201d 370-82<\/p>\n<p>Cornel West, \u201cA Genealogy of Modern Racism\u201d 298-301<\/p>\n<p>Judith Butler, \u201cContingent Foundations: Feminism and the Question of<\/p>\n<p>\u2018Postmodernism\u2019\u201d 390-401<\/p>\n<p>Michel Foucault, from\u00a0<em>The History of Sexuality<\/em>, PMG 123<\/p>\n<p>8. Postmodern Economy and Society<\/p>\n<p>Karl Marx and Frederich Engels, \u201cBourgeois and Proletarians\u201d 75-82<\/p>\n<p>Daniel Bell, From\u00a0<em>The Coming of Post-Industrial Society<\/em> 209-18<\/p>\n<p>Fredric Jameson, \u201cThe Cultural Logic of Late Capitalism\u201d 564-74<\/p>\n<p>[Adam Smith, From\u00a0<em>The Theory of Moral Sentiments<\/em> 38-44]<\/p>\n<p>Georges Bataille, From\u00a0<em>Theory of Religion,<\/em> PMG 15<\/p>\n<p>9. Architecture and Humanism<\/p>\n<p>Le Corbusier, From\u00a0<em>Towards a New Architecture<\/em> 132-38<\/p>\n<p>Charles Jencks, From \u201cThe Death of Modern Architecture\u201d 457-58<\/p>\n<p>Robert Venturi, From\u00a0<em>Complexity and Contradiction in Architecture<\/em> 403-9<br \/>\nHeidegger, \u201cLetter on Humanism\u201d 174-94<\/p>\n<p>Jean Paul Sartre, From \u201cExistentialism\u201d 169-73 \u00a0<a href=\"http:\/\/www.cmontmorency.qc.ca\/~fgiroux\/\">Texte fran\u00e7ais<\/a><\/p>\n<p>10. Postmodern Science: Irrealities and Hyper-realities<\/p>\n<p>Max Weber, \u201cScience as a Vocation\u201d 127-31<\/p>\n<p>Thomas Kuhn, From \u201cThe Nature and Necessity of Scientific Revolution\u201d<\/p>\n<p>200-08<\/p>\n<p>[Donna Haraway, From \u201cA Manifesto for Cyborgs: Science, Technology,<\/p>\n<p>and Socialist Feminsim in the 1980\u2019s\u201d 464-81]<\/p>\n<p>David Ray Griffin, From \u201cThe Reenchantment of Science\u201d 482-95<\/p>\n<p>[Niklas Luhmann, \u201cThe Cognitive Program of Constructivism and a<\/p>\n<p>Reality that Remains Unknown\u201d 496-511]<\/p>\n<p>Richard Rorty, \u201cSolidarity or Objectivity?\u201d 447-56<\/p>\n<p>11. Secular Theology, Liberal Atheology, and Post-Christianity<\/p>\n<p>[Zygmunt Bauman \u201cPostmodern religion?\u201d RMP]<\/p>\n<p>Don Cupitt, \u201cPost-Christianity\u201d RMP<\/p>\n<p>Mark C. Taylor, \u201cTerminal Faith\u201d RMP<\/p>\n<p>[Kevin Hart, \u201cThe Impossible\u201d RMP]<br \/>\nEdmund Husserl, &#8220;Crisis of European Sciences and Transcendental Phenomenology&#8221; 149-158<br \/>\nMax Horkheimer\/Theodor Adorno, from\u00a0<em>Dialectic of Enlightenment<\/em> 159-173<\/p>\n<p>12. Radical Orthodoxy<\/p>\n<p>Graham Ward, \u201cKenosis and naming beyond analogy and towards<\/p>\n<p>allegoria amoris\u201d RMP<\/p>\n<p>John Milbank, \u201cSublimity: the modern transcendent\u201d RMP<\/p>\n<p>Phillip Blond, \u201cThe primacy of theology and the question of perception\u201d RMP<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Phillip-Blond-.1.doc\">&#8220;Radical Orthodoxy&#8217;s Critique of Transcendental Philosophy and its Mistaken Mistrust of Negative Theology&#8221;<\/a><\/p>\n<p>13. Literary and Liturgical Epistemologies<\/p>\n<p>Roland Barthes, \u201cWrestling with the Angel,\u201d PMG 84<\/p>\n<p>Jean-Ives Lacoste, \u201cLiturgy and Kenosis,\u201d PMG 249<\/p>\n<p>Catherine Pickstock, \u201cAsyndeton: Syntax and Insanity,\u201d PMG 297<\/p>\n<p>Julia Kristeva, from\u00a0<em>In the Beginning Was Love <\/em>PMG 223<br \/>\n[Chopp on Kristeva, PMP 240-46]<\/p>\n<p>14. Postmodern Theology as Critique of Philosophy<\/p>\n<p>Emmanuel Levinas, \u201cGod and Philosophy\u201d PMG 52<\/p>\n<p>Jean-Luc Marion, \u201cMetaphysics and Phenomenology: A Summary for<\/p>\n<p>Theologians,\u201d PMG 279<\/p>\n<p>Graham Ward, Introduction to PMG (p. xlii)<\/p>\n<p>[Thomas Carlson, from\u00a0<em>Indiscretion<\/em>]<br \/>\n[Ludwig Wittgenstein, &#8220;Lecture on Ethics&#8221; 139-143]<\/p>\n<ol>\n<li>Conclusion<\/li>\n<\/ol>\n<p>For graduate students in French:<\/p>\n<p>French theory has in many respects been the driving force of postmodern thought. This course features selections by Lyotard, Derrida, Baudrillard, Irrigaray, Kristeva, Sartre, Deleuze, Le Corbusier, Saussure, Lacan, Levinas, Marion, and others, together with the broader postmodern movement in which they have played a catalyzing role. It is proposed for graduate students in French with the specifications that they should read these authors in French and that their research paper focus on some author(s) or aspect(s) of French literary and\/or cultural theory. Graduate students in French are encoraged to write their essays in French.<\/p>\n<p>Irrigaray, \u201c\u00c9gales \u00e1 Qui\u201d <em>Critique <\/em>480 (1987): 420-437<\/p>\n<p>\u201c \u00a0\u201cFemmes Divines\u201d\u00a0<em>Critique<\/em> 454 (1985): 295-308 (supplementary)<\/p>\n<p>\u201c <em>Ce sexe qu n\u00e9n est pas un<\/em>, pp. 23-32<\/p>\n<p>Derrida, \u201cComment ne pas parler: D\u00e9n\u00e9gations\u201d<em>Psyche<\/em>, pp. 535-594<\/p>\n<p>\u201c \u201cLa Diff\u00e9rance,\u201d\u00a0<em>Marges de la philosophie<\/em>, pp. 41-66<\/p>\n<p>Foucault\u00a0<em>Histoire de la sexualit\u00e9<\/em> vol. 1, pp. 76-98<\/p>\n<p>\u201cNietzsche, la g\u00e9n\u00e9alogie, l\u2019histoire,\u201d\u00a0<em>Dits et \u00e9crits<\/em> 1971<\/p>\n<p>Levinas, \u201cDieu et la Philosophie,\u201d\u00a0<em>De Dieu qui vient \u00e0 l\u2019id\u00e9e<\/em>, pp. 93-127<\/p>\n<p>Lacan, \u201cLa mort de Dieu,\u201d\u00a0<em>L\u2019\u00c9thique de la psychanalyse<\/em>, pp. 197-208<\/p>\n<p>Bataille, \u201cLe sacrifice, la fete et les principes du monde sacr\u00e9,\u201d<em>Oeuvres compl\u00e8tes<\/em>, vol. VII, pp. 307-318<\/p>\n<p>De Certeau,\u00a0<em>La Faibless de croire<\/em>, pp. 208-226<\/p>\n<p>Girard, \u201cLe Dieu des victimes,\u201d<em>La route antique des homes pervers<\/em>, pp. 225-246<\/p>\n<p>Barthes, \u201cLa lutte avec l\u00e1nge\u201d<em>Oeuvres competes<\/em>, vol. IV pp. 157-169<\/p>\n<p>Kristeva,\u00a0<em>Au commencement etait l\u2019amour<\/em><\/p>\n<p>Marion,\u00a0Jean-Luc.\u00a0\u201cM\u00e9taphysique et ph\u00e9nom\u00e9nologie: une rel\u00e8ve pour la th\u00e9ologie,\u201d Bulletin de literature eccl\u00e9siastique XCIV\/3 (1993): 189-206.<\/p>\n<p>Saussure,\u00a0<em>Cours de linguistique g\u00e9n\u00e9rale<\/em><\/p>\n<p>Le Corbusier,\u00a0<em>Vers une architecture<\/em><\/p>\n<p>Baudrillard,\u00a0<em>L\u2019exchange symbolique et la mort<\/em><\/p>\n<p>Lacan, \u201cLe stade du miroir\u201d http:\/\/perso.wanadoo.fr\/espace.freud\/topos\/psycha\/psysem\/miroir.htm<\/p>\n<p>Lyotard,\u00a0<em>La condition postmodern<\/em>, pp. 7-9, 54-68, 98-108<\/p>\n<h4>Texts available on-line:<\/h4>\n<p><a href=\"http:\/\/www.prometheusonline.de\/heureka\/philosophie\/klassiker\/kant\/aufklaerung.htm#SA\">Immanuel Kant, &#8220;Beantwortung auf die Frage: Was ist Aufkl\u00e4rung?&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/www.textlog.de\/2324.html\">Max Weber, &#8220;Wissenschaft als Beruf&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/www.susannealbers.de\/03philosophie-literatur-Husserl01.html\">Edmond Husserl, \u00a0&#8220;Die Krisis des Europ\u00e4ischen Menschentums und die Philosophie&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/existentialisme.doc\">Jean-Paul Sartre, &#8220;L&#8217;existentialisme est un humanisme&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/perso.orange.fr\/espace.freud\/topos\/psycha\/psysem\/miroir.htm\">Jacques Lacan, &#8220;Le stade du miroir<\/a>&#8221;<\/p>\n<p><a href=\"http:\/\/perso.orange.fr\/minerva\/Mm\/MM.htm\">Descartes, M\u00e9ditations<\/a><\/p>\n<h4>Pertinent Web Resources:<\/h4>\n<p><a href=\"http:\/\/www.calvin.edu\/~jks4\/ro\/\">Radical Orthodoxy online<\/a><br \/>\n<a href=\"http:\/\/radical-orthodoxy.monsite.wanadoo.fr\/index.jhtml\">Radical Orthodoxy &#8211; in French<\/a><\/p>\n<p><a href=\"http:\/\/www.radiobremen.de\/online\/adorno\/aufklaerung.html\">Dialektik der Aufkl\u00e4rung<\/a><\/p>\n<p><a href=\"http:\/\/etext.virginia.edu\/kjv.browse.html\">Authorized Version<\/a><\/p>\n<p><a href=\"http:\/\/etext.virginia.edu\/toc\/modeng\/public\/HolKora.html\">Koran<\/a><\/p>\n<p><a href=\"http:\/\/san.beck.org\/EC7-Vedas.html#2\">Vedas and Upanishads<\/a><\/p>\n<p><a href=\"http:\/\/perso.orange.fr\/revue.shakti\/shankara.htm\">Sankaracharya<\/a><br \/>\n<a href=\"http:\/\/www.cosmovisions.com\/textVedas.htm\">Sources Textes<\/a><\/p>\n<p><a href=\"http:\/\/gutenberg.spiegel.de\/\">Gutenberg Projekt<\/a><\/p>\n<p><a href=\"http:\/\/www.evolutionary-metaphysics.net\/links.html\">Religious Philosophy Websites<\/a><\/p>\n<h3>DANTE&#8217;S DIVINE COMEDY<\/h3>\n<p>Humanities\/Italian\/English 224 William Franke<\/p>\n<p>Fall 2006 Comparative Literature Program<\/p>\n<p>T R 2: 35-3: 50 Office: 203 Furman (tel: 2-6902)<\/p>\n<p>Hours: T 4-5:00 &amp; W 5-6:00<\/p>\n<h4>General Description<\/h4>\n<p>An introduction to Dante\u2019s 3-part poetic oddysey, the cultural world it embodies, and the literary, philosophical and theological questions it raises. Topics will include the descent into the self in\u00a0Inferno, the transition from profane to sacred love in\u00a0Purgatory, and the problematic of language and transcendence inParadise.<\/p>\n<h4>Required Text:<\/h4>\n<p>The Divine Comedy of Dante Alighieri, trans. Alan Mandelbaum<\/p>\n<p>(includes three volumes: Inferno,\u00a0Purgatory,\u00a0Paradise)<br \/>\nThe Convivio of Dante Alighieri<\/p>\n<h4>Assignments<\/h4>\n<p>:<\/p>\n<p>8\/24\/06 \u00a0Introduction: Dante as \u201cpoeta-theologus\u201d<\/p>\n<p>8\/29\/06 \u00a0Inferno Convivio I. i [x-xiii]<\/p>\n<p>8\/31\/06 \u201c<\/p>\n<p>9\/5\/06 \u201c Convivio II. i<\/p>\n<p>9\/7\/06 \u201c<\/p>\n<p>9\/12\/06 \u00a0\u201c \u00a0Convivio IV. iv-v<\/p>\n<p>9\/14\/06 \u00a0\u201c<\/p>\n<p>9\/19\/06 \u00a0\u201c<\/p>\n<p>9\/21\/06 \u00a0\u201c<\/p>\n<p>9\/26.06 Purgatory Convivio III. v<\/p>\n<p>9\/28\/06 \u201c<\/p>\n<p>10\/3\/06 \u00a0\u201c<\/p>\n<p>10\/5\/06 \u00a0\u201c \u00a0Convivio IV. xii &#8211; xiii<\/p>\n<p>10\/10\/06 \u00a0\u201c \u00a0Convivio IV. xxi<\/p>\n<p>10\/12\/06 \u201c \u00a0<strong>Due: Paper #1<\/strong><\/p>\n<p>10\/17\/06 \u201c FALL BREAK<\/p>\n<p>10\/19\/06 \u00a0\u201c \u00a0\u201c \u00a0\u201c<\/p>\n<p>10\/24\/06 \u00a0\u201c \u00a0Convivio II. ii, xii, and xv<\/p>\n<p>10\/26\/06 \u00a0\u201c<\/p>\n<p>10\/31\/06 \u00a0Paradiso Convivio III. i-ii, vii<\/p>\n<p>11\/2\/06 \u201c<\/p>\n<p>11\/7\/06 \u201c<\/p>\n<p>11\/9\/06 \u201c<\/p>\n<p>11\/14\/06 \u201c Convivio II. xiii-xiv<\/p>\n<p>11\/16\/06 \u201c<\/p>\n<p>11\/21\/06 \u201c Convivio IV. xxii<\/p>\n<p>11\/23\/06 \u201c<\/p>\n<p>11\/28\/06 \u00a0\u201c \u00a0THANKSGIVING<\/p>\n<p>11\/30\/06 \u00a0\u201c \u00a0Convivio II. v<\/p>\n<p>12\/5\/06 \u201c <strong>Due: Paper #2<\/strong><\/p>\n<h4>Course Requirements<\/h4>\n<p>Students will be required to write two 5- to 7-page papers on a topic of their choice. It is recommended that a modest amount of scholarly research (two articles would suffice) be consulted on the topics chosen for papers.\u00a0In addition to materials made available on reserve in the library and the books on the shelves, articles in the following periodicals will be found to be especially good reference sources: Dante Studies,\u00a0Lectura Dantis,Quaderni d\u2019italianistica, Italian Quarterly,\u00a0Modern Language Notes (Italian issue).<\/p>\n<p>A series of quizes will test objective command of the text of the poem periodically. Quiz grades will be totalled up as equivalent to a paper. Steady presence and participation of each in their own way is expected.<\/p>\n<h4>Web Resources:<\/h4>\n<p><a href=\"http:\/\/www.wisdomportal.com\/Dante\/DanteResources.html\">Dante Resources on the Internet<\/a><\/p>\n<p><a href=\"http:\/\/dante.dartmouth.edu\/\">Dartmouth Dante Project<\/a><\/p>\n<p><a href=\"http:\/\/xoomer.alice.it\/brdeb\/Dante\/0003.htm\">Parliamo di opere di Dante<\/a><\/p>\n<p><a href=\"http:\/\/dante.ilt.columbia.edu\/books\/cambr_com\/cc2.html\">&#8220;Dante and the Lyric Past,&#8221; Barolini<\/a><\/p>\n<p><a href=\"http:\/\/www.italicon.it\/index.asp?codpage=risorse01\">Classici italiani<\/a><\/p>\n<p><a href=\"http:\/\/www.rassegna.unibo.it\/autlat.html\">Classici\u00a0latini<\/a><\/p>\n<p>&nbsp;<\/p>\n<h5>Works of Dante<\/h5>\n<p><a href=\"http:\/\/www.italica.it\/dante\/index.html\">Le opere di Dante<\/a><\/p>\n<p><a href=\"http:\/\/www.pelagus.org\/it\/libri\/CONVIVIO,_di_Dante_Alighieri_1.html\">Il Convivio<\/a><\/p>\n<p><a href=\"http:\/\/dante.ilt.columbia.edu\/books\/convivi\/\">The Convivio<\/a> (Lansing translation)<\/p>\n<p><a href=\"http:\/\/dante.ilt.columbia.edu\/books\/vitanuova\/vitanuov.htm\">La Vita Nuova<\/a><\/p>\n<p><a href=\"http:\/\/www.thelatinlibrary.com\/dante\/ep.shtml\">Epistolae<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/gutenberg.spiegel.de\/dante\/komoedie\/komoedie.htm\">Gutenberg Project\u00a0G\u00f6ttliche Kom\u00f6die<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/www.questiaschool.com\/reader\/action\/nextPage\/78793250\">Durling edition online<\/a><\/p>\n<h5>Medieval Source Texts<\/h5>\n<p><a href=\"http:\/\/www.thelatinlibrary.com\/index.html\">Latin Library<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/omacl.org\/\">The Online Medieval and Classical Library<\/a><\/p>\n<p><a href=\"http:\/\/hiphi.ubbcluj.ro\/fam\/texte\/liber_de_causis.htm\">Liber de causis<\/a><\/p>\n<p><a href=\"http:\/\/www.thelatinlibrary.com\/lucan.html\">Lucan, La pharsalia<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/la.wikisource.org\/wiki\/Commentariorum_in_Somnium_Scipionis\">Macrobius, Commentarii in Somnium Scipionis<\/a><\/p>\n<p><a href=\"http:\/\/www.classicitaliani.it\/index144.htm\">Giovanni Villani, Nuova Cronica<br \/>\n<\/a><br \/>\n<a href=\"http:\/\/www.classicitaliani.it\/varia\/tesore01.htm\">Brunetto Latini, Il tesoretto<\/a><\/p>\n<p><a href=\"http:\/\/www.fourmilab.ch\/etexts\/www\/Vulgate\/\">Latin Vulgate<\/a><\/p>\n<p><a href=\"http:\/\/etext.virginia.edu\/kjv.browse.html\">Authorized Version<\/a> (KJB)<\/p>\n<p><a href=\"http:\/\/phoenix.reltech.org\/Ebind\/docs\/Migne\/Migne.html\">Patrologiae Grecae<\/a><\/p>\n<h2>Hong Kong University, Fall 2005 (visiting):<\/h2>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/HKU-Postomodernism-syllabus.doc\">Postmodernism Syllabus<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Postmodern-Lectures-1-to-11.doc\">Lectures on Postmodernism 1 to 11<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/HKU-Philosophy-Forum-lecture.doc\">HKU Philosophy Forum Lecture<\/a><\/p>\n<h2>Vanderbilt Courses not Currently Offered<\/h2>\n<h3>Courses\u00a0Not Offered in 2006-07<\/h3>\n<p><strong>Undergraduate<\/strong>:<\/p>\n<h4>HUM 140 Humanities: Ancient and Medieval Periods<\/h4>\n<p>This course serves as a general introduction to outstanding &#8220;great books&#8221; of the Western world. They constitute founding texts of the &#8220;humanities.&#8221; This intellectual tradition will be traced from its origins in both Greco-Roman and Judeo-Christian (Bible) literature. These two cultures will then be viewed in their synthesis in the medieval period.<\/p>\n<p>Our attempt to assimilate these works, which have been basic to liberal education in the West since its inception, will stimulate effort to develop and refine our own powers of reading and interpretion. We will engage the strongly literary quality of the works, moreover, by the exercise of producing writing of our own nourished by critical reflection upon them.<\/p>\n<h5>BASIC TEXTS (in order of use)<\/h5>\n<h5>_________\u00a0The New Oxford Annotated Bible with the Apocrypha<\/h5>\n<p>Homer\u00a0The Odyssey (Cook translation)<\/p>\n<p>Virgil\u00a0The Aeneid (Fitzgerald translation)<\/p>\n<p>Augustine\u00a0The Confessions (Sheed translation)<\/p>\n<p>Dante\u00a0The Inferno (Mandelbam translation)<\/p>\n<h3>Fall 2004<\/h3>\n<h4>HUM 224 Dante\u2019s\u00a0<em>Divine Comedy<\/em><\/h4>\n<p>An introduction to Dante\u2019s 3-part poetic oddysey, the cultural world it embodies, and the literary, philosophical and theological questions it raises. Topics will include the descent into the self in\u00a0<em>Inferno<\/em>, the transition from profane to sacred love in\u00a0<em>Purgatory,<\/em> and the problematic of language and transcendence in\u00a0<em>Paradise<\/em>.<\/p>\n<p>Inferno<br \/>\nPurgatorio<br \/>\nParadiso<\/p>\n<p>Convivio<\/p>\n<h3>Spring 2005<\/h3>\n<h4>Graduate Seminars<\/h4>\n<p>:<\/p>\n<h5>CLT 340\u00a0Introduction to Literary Theory and Criticism: Classic Texts and Traditions<\/h5>\n<p>Classic works of literary theory and criticism from antiquity to the nineteenth century will be read in an effort to furnish basic conceptual paradigms and grounding in cultural history for students training to work as literary critics and theorists. Readings include founding texts of disciplines such as Philosophical Aesthetics, Rhetoric, Poetics, Scriptural Hermeneutics, Criticism of Genres, and Theory of Fiction, all of which disciplines contribute to and coalesce in current literary theory and criticism. The texts will be read with attention to problems such as literary representation as mimesis, language as figurative and metaphorical, poetic structure and dynamics. The readings will be questioned also for what they say or suggest concerning literature\u2019s relation to ethics and religion, to history, society and its institutions. We will try to distinguish classical, normative principles of literary criticism together with the principle challenges with which they have been faced in the course of tradition. We will extract the key literary theoretical ideas from the various authors and compare them, starting from those that are nearest in historical chronology.<\/p>\n<h6>Schedule of Topics and Readings<\/h6>\n<p>1. Gorgias, from Encomium of Helen<\/p>\n<p>Plato,\u00a0 Republic II. 376-383; III. 386-403; VII. 514-518; X595-606<br \/>\nIon<br \/>\nfrom Phaedrus<\/p>\n<p>Longinus,\u00a0 On sublimity\u00a0 1.1-2.3; 7-17; 22; 29-40<\/p>\n<p>Plotinus, Enneads V. viii (On Intellectual Beauty)<\/p>\n<p>2.\u00a0 Aristotle, Rhetoric I.2, 3;\u00a0 II. 1;\u00a0 III. 2<br \/>\nPoetics<\/p>\n<p>Horace, Ars poetica<\/p>\n<p>Quintilian Institutio oratorio VIII, v. 35, vi.1-28; IX. i. 1-25; ii. 44-49; XII. ii1-28<\/p>\n<p>3.\u00a0 Augustine, De doctrina christiana I.ii.2; II.i.1, ii.3, iii.4, iv.5, x.15, xi.16;<br \/>\nIII.xxix.40,\u00a0 De trinitate XV.\u00a0 ix.15; x.1-19; xi.20<\/p>\n<p>Macrobius, Commentary on Dream of Scipio iii.1-3, 5-6, 12, 14 15 17<br \/>\n[+ Cicero, Somnium Scipionis\u00a0 (De republica VI. 9-29)<\/p>\n<p>+ Chaucer\u2019s dream visions, Hous of Fame]<\/p>\n<p>Hugh of Saint Victor, Didascalicon I. xi on origin of logic and III. iii; V. ii VI.<br \/>\nviii, ix, x, xi<br \/>\nMaimonides,\u00a0 Introduction to Guide of the Perplexed<\/p>\n<p>4. Geoffrey of Vinsauf\u00a0 Poetria Nova 1, 2, 3, 4,<\/p>\n<p>Aquinas, Summa Ia q. I, art. 9:\u00a0 Should Scripture use metaphor?<\/p>\n<p>Dante, Convivio II, i + Letter to Can Grande<\/p>\n<p>Christine de Pizan,\u00a0 Cit\u00e9 des Dames<\/p>\n<p>Boccaccio\u00a0 Genealogia\u00a0 Bk\u00a0 XIV. v, vii, xii<\/p>\n<p>5. Giraldi, Discorso delle comedie et delle tragedie<\/p>\n<p>Mazzoni, Difesa della divina commedia<\/p>\n<p>Du Bellay, Discourse on the French Language I: 1, 2, 3 , 4. 5. 6, 7,; II: 3, 4,<\/p>\n<p>Ronsard, Brief on the Art of French Poetry<\/p>\n<p>Corneille, Trois discours sur le poeme dramatique<\/p>\n<p>Sidney, Apology for Poetry<\/p>\n<p>6. Vico, New Science 31-36, 51, 331, 342, 349, 361-68,\u00a0 374-84, 400-402, 404-09, 779<\/p>\n<p>Addison\u00a0 Spectator , No. 62<\/p>\n<p>Alphra Behn, from The Dutch Lover and Preface to Lucky Chance<\/p>\n<p>Edward Young, Conjectures on Original Composition<\/p>\n<p>Nietzsche, \u201cOn Truth and Lie in a Non-Moral Sense\u201d<\/p>\n<p>7. Dryden, from Essay of Dramatic Poesy, from Preface to Troilus and Cressida,<br \/>\nPreface to Sylvaie<\/p>\n<p>Pope, Essay on Criticism<\/p>\n<p>Samuel Johnson, \u201cOf Fiction,\u201d from The History of Rasselas, Prince of<br \/>\nAbyssinia, from Preface to Shakespeare<\/p>\n<p>8. Hume, \u201cOf the Standard of Taste&#8221;<\/p>\n<p>Kant, from Critique of Judgment<\/p>\n<p>Burke, Essays on Sublime and Beautiful<\/p>\n<p>9. Lessing, Laocoon, preface, 1, 2, 3, 9, 10 12, 15, 16, 17, 18, 21<\/p>\n<p>Schiller, Letters on Aesthetic Education\u00a0 2, 6, 9<\/p>\n<p>Hegel, Aesthetics:\u00a0 Lectures on Fine Art, intro<br \/>\nPhenonomology 178-196 (Master-Slave dialectic)<\/p>\n<p>Wollstoncraft, \u201cA Vindication of the Rights of Women\u201d<\/p>\n<p>de Sta\u00ebl, Essay on Fictions + \u201cOn Women Writers\u201d<\/p>\n<p>10. Wordsworth, Preface to Lyrical Ballads<\/p>\n<p>Coleridge, from Statesman\u2019s Manual and from Biographia Litteraria<\/p>\n<p>Peacock, The Four Ages of Poetry<\/p>\n<p>Shelley, Defense of Poetry<\/p>\n<p>Emerson, \u201cThe American Scholar,\u201d \u201cThe Poet\u201d<\/p>\n<p>11. Poe, \u201cThe Philosophy of Composition\u201d<\/p>\n<p>Gautier, \u201cPreface to Mademoiselle de Maupin\u201d<\/p>\n<p>Baudelaire, \u201cThe Painter of Modern Life\u201d<\/p>\n<p>Arnold, \u201cFunction of Criticism\u201d and from Culture and Anarchy<\/p>\n<p>Pater, from Studies in the History of the Renaissance<\/p>\n<p>12.\u00a0 Mallarm\u00e9, \u201cCrisis in Poetry\u201d<\/p>\n<p>James, from The Art of Fiction<\/p>\n<p>Nietzsche, from Birth of Tragedy<\/p>\n<p>Wilde, \u201cPreface to The Picture of Dorian Gray\u201d and \u201cThe Critic as Artist\u201d<\/p>\n<h3>Fall 2004<\/h3>\n<h4>CLT 341\u00a0Introduction to Literary Theory and Criticism: Current Trends<\/h4>\n<p>This half of the introductory graduate theory course deals with modern movements and current trends. Seminal texts of criticism and theory from the 20<sup>th<\/sup> century will be compared so as to illustrate the range of purposes and cross-purposes to which contemporary critical discourse has been put in relation to literary works and traditions. This will serve as a basic literacy course in theory, as well as for making students conversant with a variety of the most provocative types of critical discourse emerging on the scene today. Currents to be covered include: Formalism and Structuralism, Poststructuralism, New Historicism and Postcolonial Criticism, Marxism and Psychoanalysis, Feminism, Race and Ethnicity Studies, Gay and Lesbian Studies and Queer Theory, Hermeneutics and Phenomenology, Reader-Response, Cultural Studies.<\/p>\n<p>Text:\u00a0 Norton Anthology of Criticism and Theory (2001)<\/p>\n<h5>Schedule of Topics and Readings:<\/h5>\n<p>1\/19\u00a0 Introduction:\u00a0 From Arnold and Eliot to New Criticism<\/p>\n<p>1\/26\u00a0 Structuralism and Formalism<br \/>\nSaussure 960-77<br \/>\nJakobson 1258-69<br \/>\nLevi-Strauss 1419-27<br \/>\nEichenbaum 1062-88<br \/>\nTodorov 2099-2106<br \/>\nFrye 1445-57<br \/>\nBakhtin\u00a0 1190-1219<\/p>\n<p>2\/2\u00a0 Post-structuralism (Deconstruction and New Historicism)<br \/>\nBarthes 1466-75<br \/>\nDerrida 1822-30<br \/>\nDe Man 1527-31<br \/>\nJohnson 2319-37<br \/>\nBaudrillard 1732-41<br \/>\nFoucault 1622-47 [1648-70]<br \/>\nGreenblatt 2251-54<\/p>\n<p>2\/16\u00a0 Marxism<br \/>\nAlthusser 1480-1509<br \/>\nLuk\u00e1cs 1033-58<br \/>\nJameson 1937-75<br \/>\nBourdieu 809-14<br \/>\nGramsci 1138-44<br \/>\nTrotsky 1005-17<br \/>\nMarx 759-89<\/p>\n<p>2\/9\u00a0 Cultural Studies<br \/>\nHall 1898-1910<br \/>\nWilliams\u00a0 1567-75<br \/>\nHebdidge 2448-57<br \/>\nAdorno and Horkeimer 1220-40<br \/>\nHabermas 1745-59<br \/>\nBarthes 1461-70<\/p>\n<p>2\/23\u00a0 Post-Colonial Criticism<br \/>\nFanon 1578-93<br \/>\nNgugi wa Thiong\u2019o, Taban Lo Liyong, Henry Owuor-Anymba 2092-97<br \/>\nAchebe 1783-94<br \/>\nSaid 1991-2012<br \/>\nSpivak 2197-2223<br \/>\nBhabha 2379-97<br \/>\n[Anzald\u00faa 2211-23]<\/p>\n<p>3\/1\u00a0 Critical Race Studies<br \/>\nDu Bois 980-87<br \/>\nHurston 1159-62 [1146-58]<br \/>\nHughes 1313-17<br \/>\nBaker 2227-40<br \/>\nGates 2424-32<br \/>\nhooks 2477-85<br \/>\nVizenor 1977-86<\/p>\n<p>3\/8\u00a0 SPRING BREAK<\/p>\n<p>3\/15\u00a0 Psychoanalysis<br \/>\nLacan 1285-1311<br \/>\nDeleuze and Guattari 1598-09<br \/>\nJung 990-1002<br \/>\nFreud 919-56<br \/>\nBloom 1797-1805<br \/>\nGuber and Gilbert 2033-35<br \/>\n[Davis 2400-21]<\/p>\n<p>3\/22\u00a0 Feminism<br \/>\nBordo 2362-77<br \/>\nCixous 2039-56<br \/>\nKolodny 2146-65<br \/>\nTompkins 2129-43<br \/>\nAllen 2108-2126<br \/>\nde Beauvoir 1406-15<br \/>\nWoolf 1021-30<\/p>\n<p>3\/29\u00a0 Gay, Lesbian, and Queer Theory<br \/>\nButler 2485-2501<br \/>\nRich 1762-81<br \/>\nWittig 2014-21<br \/>\nSmith 2302-15<br \/>\nZimmerman 2338-59<br \/>\nSedgwick 2434-45<\/p>\n<p>4\/5\u00a0 Technologies and Media<br \/>\nBenjamin 1166-86<br \/>\nHaraway 2268-99<br \/>\nMouthrop 2502-24<br \/>\nMulvey 2181-93<\/p>\n<p>4\/12\u00a0 Hermeneutics and Phenomenology<br \/>\nIser 1673-82<br \/>\nJauss 1550-65<br \/>\nHirsch 1684-1709<br \/>\nPoulet 1320-33<br \/>\nSartre 1336-50<\/p>\n<p>4\/19\u00a0 Rhetoric and Pragmatics<br \/>\nBurke 1272-78<br \/>\nDe Man 1514-26<br \/>\nFish 2071-89<br \/>\nWhite 1712-29<br \/>\nAustin 1430-42<\/p>\n<p>4\/26\u00a0 Theory and the Canon Question<br \/>\nArnold 806-32<br \/>\nEliot 1092-98<br \/>\nGraff 2059-67<br \/>\nSmith 1913-32<br \/>\nEagleton 2240-50<br \/>\nOhman 1880-94<br \/>\nChristian 2257-66<br \/>\nExtra Topics and Material:<\/p>\n<p>Theory in Question<br \/>\nKnapp and Michaels 2460-75<br \/>\nChristian 2257-66<br \/>\nRansom 1108-18<br \/>\nWilde 900-13<br \/>\nPope 441-58<\/p>\n<p>Novels and Narration<br \/>\nBakhtin 1190-1220<br \/>\nJames 855-70<br \/>\nTodorov 2097-2106<br \/>\nAllen 2108-26<\/p>\n<p>Poetic Language<br \/>\nNietzsche 874-84<br \/>\nMallarm\u00e9 845-51<br \/>\nKristeva 2169-79<br \/>\nDerrida 1830-76<br \/>\nHeidegger 1121-35<\/p>\n<p>New Criticism<br \/>\nRansom 1108-17<br \/>\nBrooks 1350-70<br \/>\nWimsatt and Beardsley 1371-1403<\/p>\n<h5>Recommended reading<\/h5>\n<p>Linda Hutcheon, A Poetics of Postmodernism<br \/>\nVeeser, The New Historicism<br \/>\nEagleton, Marxism and Literature<br \/>\nWilliams, Marxism and Literature<br \/>\nBhabha, The Location of Culture<br \/>\nCornel West, Race Matters<br \/>\nBarbara Smith, The Truth that Never Hurts:\u00a0 Writings on Race, Gender,<br \/>\nand Freedom<br \/>\nToril Moi, Textual\/Sexual Politics<br \/>\nLinda Nicholson, The Second Wave<br \/>\nChristopher Butler, Postmodernism: A Very Short Introduction<br \/>\nIrigaray, Speculum of the Other Woman<br \/>\nButler, Bodies that Matter<br \/>\nMark Taylor, The Moment of Complexity<br \/>\nMarjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media<br \/>\nDavid Damrosch, What Is World Literature?<br \/>\nElaine Scarry, On Beauty and Being Just<br \/>\nRobert Calasso, Literature and the Gods<br \/>\nPeter Brooks, Psychoanalysis and Storytelling (1994)<br \/>\nEmily Apter, Feminizing the Fetish (1991) and Fetishism as Cultural Discourse (1993)<br \/>\nRey Chow, Woman and Chinese Identity (1991)<br \/>\nFran\u00e7oise Lionnet, Autobiographical Voices: Race, Gender, Self-Portraiture (1989) + Spiralling Tensions: Authenticity, Universality, and Postcoloniality<br \/>\nElizabeth For-Genovese, Feminism Without Illusions: A Critique of Individualism (1991)<br \/>\nRalph Cohen, ed., The Future of Literary Theory<br \/>\nCharles Bernheimer, Comparative Literature in the Age of Multiculturalism<br \/>\nSteven T\u00f6t\u00f6sy de Zepetnek, Comparative Literature and Comparative Cultural<br \/>\nStudies<\/p>\n<h3>Fall 2006<\/h3>\n<h4>CLT 360\u00a0Philosophy and Literature: Poets and Philosophers<\/h4>\n<p>Throughout history, and not least in the modern period, where genres and disciplines have become blurred, poets and philosophers have inspired one another reciprocally. Sometimes the philosophers reveal how their most essential insights could never have been reached without the suggestions envisioned by some\u2013at least for them\u2013elect poet. Furthermore, in some cases, powerful philosophical interpretations of poetic masterpieces have founded new modes of thinking and experiencing or shaped entire epochs of culture, defining their distinctive outlooks. We will study a selection of the most provocative and seminal couplings between poets and philosophers in Western intellectual history by reading the poets along with the readings of the philosophers that have contributed significantly to making them what they have become in this tradition. Selections will include:<\/p>\n<p>Nietzsche\u2019s reading of Aeschelus, Sophocles, Euripides, Archelochus, Heine, et al. (<em>Die Geb\u00fcrt der Trag\u00f6die<\/em>)<\/p>\n<p>Heidegger\u2019s readings of H\u00f6lderlin (<em>Erl\u00e4uterungen zu H\u00f6lderlins Dichtung)<\/em><\/p>\n<p>Benjamin\u2019s reading of Baudelaire (&#8220;\u00dcber einige Motive bei Baudelaire&#8221; and &#8220;Paris, Hauptstadt des neunzehnten Jahrhunderts,&#8221;\u00a0<em>Passagen-Werke<\/em>)<\/p>\n<p>Blanchot\u2019s readings of Rilke and Mallarm\u00e9 (<em>L\u2019Espace litt\u00e9raire<\/em>)<\/p>\n<p>Derrida\u2019s readings of Celan, Ponge, and Joyce (<em>Schibboleth<\/em>,\u00a0<em>Sign\u00e9ponge<\/em>,\u00a0<em>Ulysse Grammaphone<\/em>)<\/p>\n<p>Kristeva\u2019s reading of Proust (<em>Time and Sense: Proust and the Experience of Literature<\/em>) + Deleuze,\u00a0<em>Proust and Signs<\/em><\/p>\n<p>Adorno and Horkeimer\u2019s reading of Homer (<em>Dialektik der Auferkl\u00e4rung<\/em>)<\/p>\n<p>+ Porphyry\u2019s reading of Homer, &#8220;On the Cave of the Nymphs&#8221; <a href=\"http:\/\/www.porphyrios.it:8080\/docs\/texts\/porfirio\/de_antro_nympharum.pdf\">Greek Text\u00a0pdf<\/a> <a href=\"http:\/\/www.tertullian.org\/fathers\/porphyry_cave_of_nymphs_02_translation.htm\">(Thomas Taylor trans.)<\/a><\/p>\n<p>Bernard Silvestris\u2019 reading of Virgil (<em>Commentarium super sex libros Eneidos Virgilii<\/em>)<\/p>\n<p>(cfr. Servius\u2019s\u00a0<em>In Verbilli carmina commentarii<\/em>)<\/p>\n<p>Vico\u2019s and Schelling\u2019s readings of Dante (<em>Scienza nuova<\/em> &amp; &#8220;Ueber Dante in philosophischer Beziehung&#8221;)<\/p>\n<p>Hegel on Sophocles\u2019s\u00a0<em>Antigone<\/em> (<em>Phenomenologie<\/em> and\u00a0<em>Aesthetik<\/em>)<\/p>\n<p>Unamuno\u2019s reading of Cervantes (<em>Vida de don Quijote y Sancho<\/em>)<\/p>\n<p>+ Ortega y Gasset\u2019s (<em>Meditaciones del Quijote<\/em>)<\/p>\n<p>Santayana\u2019s readings of Lucretius, Dante and Goethe (<em>Three Philosophical Poets<\/em>)<\/p>\n<p>Agamben on Giovanni Pascoli, &#8220;Il fanciulino&#8221;<\/p>\n<p>Cavell\u2019s readings of Shakespeare (<em>Disowning Knowledge: In Six Shakespearian Plays<\/em>)<\/p>\n<p>Girard,\u00a0<em>Monsonge romanesque et romans<\/em><\/p>\n<p><em>Deceit and Desire in the Novel<\/em><\/p>\n<h3>Spring 2005<\/h3>\n<h4>CLT 360 (Version #2)\u00a0 Philosophy and Literature: Criticism as Philosophy<\/h4>\n<p>This course will compare classic works of philosophical criticism of literature in a variety of Western traditions, ancient to modern. It will explore these works as a discernible genre of writing which it will attempt to define and assess as to its specific capacities and limits. Aesthetics is a branch of philosophy that discusses mainly philosophical ideas and writings, inquiring into general principles concerning art, but philosophical commentary on literature belongs to criticism and articulates itself in constant, close contact with particular literary texts. And yet when practiced by philosophers, it turns into a distinctive method of philosophizing, a distinctive form of inquiry that calls for a different name such as &#8220;poetic thinking.&#8221; The authors gathered together for comparative study in this course are both practitioners and theorists of thinking that is distinctively literary and poetic in character. This sort of thinking and writing raises age-old questions concerning the ability and aptness of philosophy to interpret literature. By some accounts, philosophy cannot but distort and obscure the specifically literary character of writing due to its penchant for abstraction. By other accounts, only philosophy is capable of penetrating to the deepest and most significant strata of literary meaning.<\/p>\n<p>The attacks on philosophy as a mode of understanding literature have been perennial in the history of Western culture, and they have been renewed and even intensified by some strains within the recent flowering of &#8220;theory&#8221; in contemporary literary criticism. Some contemporary theory positions itself as a revolt against philosophy and the culture over which philosophy has presided as a regulatory discipline dictating method for well over two millennia. At the same time, ostensibly philosophical readings of literature have also proliferated within this same new cultural milieu.<\/p>\n<p>Is there reason, then, to reformulate and reassert the claims of a philosophical criticism? What are the compelling reasons for a philosophical criticism of literature today? How is a philosophical criticism of literature possible, and is it desirable? What styles of philosophical criticism of literature from the past can serve as models and may prove useful still in fostering this special kind of reflection and inquiry today? To address these challenges, we will construct a genre of philosophical criticism comprised of recognizably classic works of literary criticism by distinguished philosophers. The philosopher-critic has been a paramount figure since Plato and Aristotle and still continues to emerge on the scene in new ways today. We will revisit a few peaks in this tradition focusing on what makes literary criticism philosophical and on what special virtues and liablities such philosophical approaches to literature are likely to entail. Our guiding hypothesis is that in concretely engaging literary texts, philosophical reason thinks in peculiar ways that can illuminate fundamental questions of philosophy as much as the mysteries of literature.<\/p>\n<h5>Readings:<\/h5>\n<p>1.\u00a0 Introduction<\/p>\n<p>Hegel, &#8220;Das \u00e4lteste Systemprogramm des deutschen Idealismus&#8221;<\/p>\n<p>Gadamer, &#8220;Philosophie und Poesie&#8221;<\/p>\n<p>2. Cavell,\u00a0<em>Disowning Knowledge: In Six Shakespearian Plays<\/em><em><br \/>\n<\/em>(especially Intro and on Lear and Hamlet)<\/p>\n<p>3.\u00a0Wayne Booth,\u00a0<em>The Company We Keep: An Ethics of Fiction<\/em><br \/>\n(Intro, &#8220;Figures That \u2018Figure\u2019 the Mind,&#8221; &#8220;Metaphoric Worlds&#8221;)<\/p>\n<p>4.\u00a0Martha Nussbaum,\u00a0<em>Love\u2019s Knowledge<\/em><br \/>\n(Intro, &#8220;Fictions of the Soul,&#8221; &#8220;Love\u2019s Knowledge&#8221;)<\/p>\n<p>5. Porphyry,\u00a0<em>On the Cave of the Nymphs<\/em><big> <a href=\"http:\/\/www.porphyrios.it:8080\/docs\/texts\/porfirio\/de_antro_nympharum.pdf\">De antro nympharum (Greek text)<\/a> <a href=\"http:\/\/www.tertullian.org\/fathers\/porphyry_cave_of_nymphs_02_translation.htm\">Thomas Taylor trans.<\/a><br \/>\nFulgentius,\u00a0<em>The Exposition of the Content of Vergil According <\/em><\/big><em>to the Principles of Moral Philosophy<\/em><br \/>\nBernardus Silvestris,\u00a0<em>Commentary on The First Six Books of <\/em>Virgil\u2019s Aeneid<\/p>\n<p>6.\u00a0Santayana,\u00a0<em>Three Philosophical Poets: Lucretius, Dante, Goethe<\/em><\/p>\n<p><em>7. <\/em>Horkeimer and Adorno,\u00a0<em>Dialectic of Enlightenment<\/em> (&#8220;Begriff der<br \/>\nAufkl\u00e4rung&#8221; + &#8220;Exkurs I: Odysseus oder Mythos und Aufkl\u00e4rung&#8221;<\/p>\n<p>8. Weil,\u00a0<em>The Iliad or the Poem of Force<\/em><\/p>\n<p>9. Heidegger,\u00a0<em>Erl\u00e4uterungen zu H\u00f6lderlins Dichtung<\/em><\/p>\n<p>10. Unamuno,\u00a0<em>Our Lord Don Quixote: Life of Don Quijote and Sancho<\/em><\/p>\n<p>[or essay in\u00a0<em>El sentimiento tragico de la vida<\/em>]<\/p>\n<p>[ + Ortega y Gasset\u2019s (<em>Meditaciones del Quijote<\/em>)<\/p>\n<p><em>Meditations on Quixote<\/em>]<\/p>\n<p>11. Derrida,\u00a0<em>Acts of Literature<\/em> (&#8220;The First Session,&#8221; &#8220;Mallarm\u00e9,&#8221;<\/p>\n<p>&#8220;Ulysses Gramophone,&#8221; [from\u00a0<em>Signsponge<\/em>, &#8220;Aphorism Countertime&#8221;])<\/p>\n<p>12. Kristeva,\u00a0<em>Time and Sense: Proust and the Experience of <\/em><em>Literature<\/em><\/p>\n<p>13. Deleuze,\u00a0<em>Proust and Signs<\/em><\/p>\n<p>14. Patrick Colm Hogan,\u00a0<em>Philosophical Approaches to the Study of Literature<\/em><\/p>\n<h2>Graduate Seminars Not Currently Offered:<\/h2>\n<h3>The Writing of Silence: Edmond Jab\u00e8s and Paul Celan (Spring 2002)<\/h3>\n<p>Postmodern writers and artists of all sorts have evolved radical new poetics based preeminently on the secret resources of silence. Poets have focused particularly on silences become audible in the tearing of language and the rending of sense. To a significant degree, this is a rediscovery of the oftentimes repressed resources in Western tradition of apophatic discourse, discourse on what cannot be said. Jewish writers have been particularly important in this revival, partly because the traditional biblical interdiction on representations of the divine (&#8220;graven images&#8221;), denounced as idolatrous, gave Jewish tradition a peculiar attunement to the limits of representation and a special sensibility for the Unrepresentable. Furthermore, the Holocaust experience has become recognized as a cultural code for the unspeakable par excellence. Jab\u00e8s and Celan, emerging almost contemporaneously out of widely divergeant cultural backgrounds in Egypt and Romania, nevertheless share these fundamental coordinates in common, and each has developed his art to the highest level of eminence on the scene of world literature. Moreover, originating in areas of linguistic diaspora of their respective French and German tongues, both turn out to be peculiarly qualified to express the experience of exile as the archetypal condition of the postmodern writer and as the condition of language itself\u2013a signifier forever severed from its signified.<\/p>\n<p>We will read these eminent poets, architects of postmodern poetics, in the context of theoretical essays that articulate the sorts of intellectual problematics their poetry engages. Thus works by Rosenzweig, Benjamin, Adorno, Arendt, Heidegger, Derrida, Levinas, Blanchot, and Bataille will provide a framework for approaching this poetry of the tearing asunder of the word and the writing of silence. H\u00f6lderlin and Rilke will be explored as forerunners of this poetics.<\/p>\n<h4>Readings:<\/h4>\n<p>Jab\u00e8s,\u00a0<em>The Book of Questions: El, or the Last Book<\/em><\/p>\n<p>Celan,\u00a0<em>Collected Poems<\/em> + &#8220;Meridan&#8221; in\u00a0<em>Collected Prose<\/em><\/p>\n<p>Heidegger, &#8220;Language&#8221;<\/p>\n<p>H\u00f6lderlin, poems and fragments<\/p>\n<p>Kafka, &#8220;On Parables&#8221; and &#8220;The Song of the Sirens&#8221;<\/p>\n<p>Rilke,\u00a0<em>Duino Elegies<\/em> 8 &amp; 9<em> + Sonnets to Opheus <\/em>1<\/p>\n<p>Schoenberg,\u00a0<em>Moses and Aaron<\/em> II, 5<\/p>\n<p>Rosenzweig, &#8220;On the Name of God&#8221; from\u00a0<em>Star of Redemption<\/em><\/p>\n<p>Benjamin, &#8220;Theses on History,&#8221; &#8220;The Task of the Translator,&#8221; &#8220;On Language as<br \/>\nSuch and on the Language of Men&#8221;<\/p>\n<p>Adorno, &#8220;Lyric and Society&#8221; + &#8220;After Auschwitz&#8221; in\u00a0<em>Negative Dialectics<\/em><\/p>\n<p>Arendt, &#8220;Metaphor and the Ineffable&#8221; in\u00a0<em>The Life of the Mind<\/em>, vol. I<\/p>\n<p>Bataille, &#8220;Principles of Method and of a Community,&#8221; from\u00a0<em>Inner Experience<\/em><\/p>\n<p>Blanchot, &#8220;On Being Jewish,&#8221; in\u00a0<em>The Infinite Conversation<\/em><\/p>\n<p>Derrida, &#8220;Edmond Jab\u00e8s and the Question of the Book&#8221; (also\u00a0<em>Shibboleth<\/em>)<\/p>\n<p>Levinas, &#8220;Paul Celan&#8221; and &#8220;Edmond Jab\u00e8s&#8221; in\u00a0<em>Proper Names<\/em> + &#8220;Saying and Said&#8221;<br \/>\nfrom\u00a0<em>Otherwise than Being<\/em><\/p>\n<p>Beckett,\u00a0<em>The Unnameable<\/em> (end)+\u00a0<em>Texts for Nothing<\/em> #8<\/p>\n<p>Wittgenstein, &#8220;Lecture on Ethics&#8221; +\u00a0<em>Tractatus<\/em> 6.4 \u2014 7<\/p>\n<h3>CLT 355\u00a0Mystical Rhetorics of Silence from Plotinus to John of the Cross (Fall 2001)<\/h3>\n<p>Postmodern discourses have testified unmistakably to the resurgent vitality of the Western mystical tradition. The crisis of language so acutely felt in our time has been the common premise of mystical discourses in all times. Bataille, Blanchot, Levinas, Lacan, as well as radical feminist thinkers like Irrigaray, are suddenly illuminated and prove to be highly readable when set against their proper precedents in this tradition. The mystical authors selected belong especially to the &#8220;apophatic&#8221; tradition of negative theology that has been widely cited as deconstruction &#8220;avant la lettre&#8221; ever since Derrida\u2019s manifesto address &#8220;La diff\u00e9rance.&#8221; Derrida himself has taken up the topic of deconstruction as negative theology in several extensive texts of the 1990s. Contemporary poets, furthermore, like Celan, Jab\u00e8s, Stevens, W. S. Merwin, Marlene Norbese Philip\u2013in strict analogy to mystical writers\u2013 are obsessed with what language cannot say. Abstract painting from Kandinsky to Malevich, Mondrian, Barnett Newman and Ad Reinhart, and the architecture of Le Corbusier and Mies Van der Rohe, are likewise drenched in the mystical quest for purity of Nothing sought by a stripping away of all determinate form. Something analogous goes for John Cage, the composer of &#8220;silence,&#8221; and for Arthur Schoenberg. In countless ways, the key to our contemporary\u00a0<em>Zeitgeist<\/em> is to be found in this discourse of mysticism that has evolved over millenia secreted in the bosom of Western culture. To understand where we are now we need to wrest this underground culture from seclusion. In so doing we follow the footsteps of leading exponents of postmodern culture, as well as of leading medieval scholars of mysticism like Michel de Certeau and Bernard McGinn, Alois Hass, and Denys Turner.<\/p>\n<p>The course will trace the various inflections of the tradition of &#8220;apophatic&#8221; discourse, language about what cannot be said, the Ineffable, from ancient Greek thought across the Christian Middle Ages. In beginning from Plotinus, we recuperate elements from Plato, such as the Good beyond Being (&#8220;epekeina tes ousias&#8221;), as well as Aristotle\u2019s conception of God as thought thinking itself. The resultant Neoplatonic paradigm fuses with biblical revelation to create the canonical model for Christian mysticism in the\u00a0<em>Corpus Dionysiacum,<\/em> the works from the 5-6<sup>th<\/sup> century A.D. attributed to Pseudo-Dionysius the Areopagite. We will follow this line of development through Eriugena, Maimonides, Porete, Eckhart and Cusanus to the Spanish baroque mysticism of Teresa of Avila and John of the Cross. The experience beyond all sensual and even all imaginative experience of a &#8220;simple light&#8221; beyond the reach of representation, and especially beyond the furthest capabilities of linguistic expression, is approached by all these authors from different angles and on the basis of different cultural matrices. Side-glances at Arabic, Sufi mysticism, particularly Ibn al-Arabi and Rumi, and at the Jewish Kabbalah will help us delineate the essential features of Western mysticism in some of its most distinguished literary incarnations.<\/p>\n<p>The proposed approach to the literature of mysticism will pay special attention to the rhetoric of silence in these texts. It will focus on the lingustic resources accessed or invented by classic writers of the tradition of mystical theology for attempting (and inevitably failing) to say the Unsayable.<\/p>\n<h4>Readings:<\/h4>\n<p>Plato,\u00a0<em>Parmenides<\/em> 137b \u2014 143b (first two hyptheses)<\/p>\n<p>Philo,\u00a0<em>De somnis<\/em> I, 11; from\u00a0<em>De mutatione nominum<\/em>;\u00a0<em>Legum Allegoria<\/em> III;\u00a0<em>De \u00a0posteritate Caini<\/em> 16.<\/p>\n<p>Gnostic\u00a0<em>Tripartite Tractate<\/em><\/p>\n<p><em>Corpus Hermeticum<\/em> V. 1, 8, 10, 11 and\u00a0<em>Asclepius <\/em>20<\/p>\n<p>Clement of Alexandria,\u00a0<em>Stromate<\/em> V<\/p>\n<p>Gregory of Nyssa,\u00a0<em>Life of Moses<\/em><\/p>\n<p>Plotinus,\u00a0<em>Ennead<\/em> V<\/p>\n<p>Proclus, Commentary on the\u00a0<em>Parmenides<\/em><\/p>\n<p>Pseudo-Dionysius the Areopagite,\u00a0<em>Mystical Theology,<\/em> <em>On Divine Names<\/em><\/p>\n<p>John Scott Eriugina,\u00a0<em>The Division of Nature<\/em><\/p>\n<p>Moses Maimonides,\u00a0<em>Moreh Nevukhim<\/em> (<em>Guide for the Perplexed<\/em>): I, 50-58<\/p>\n<p>Kabbala,\u00a0<em>Z\u00f2har<\/em> (Book of Splendor)<\/p>\n<p>Ibn al-Arabi,\u00a0<em>The Bezels of Wisdom<\/em><\/p>\n<p>Rumi, Sufi poems from\u00a0<em>Masnavi<\/em><\/p>\n<p>Marguerite Porete,\u00a0<em>The Mirror of the Simple Annihilated Soul<\/em><\/p>\n<p>Meister Eckhart,\u00a0<em>German Sermons<\/em><\/p>\n<p>Nicolus Cusanus,\u00a0<em>On Divine Ignorance<\/em><\/p>\n<p>John of the Cross,\u00a0<em>The Dark Night of the Soul<\/em><\/p>\n<p>Teresa of Avila,\u00a0<em>The Interior Castle<\/em><\/p>\n<p>In addition to this cadre of readings, students will be encouraged to explore other sources, especially in connection with their own projects. Particularly relevant are:<\/p>\n<p>Bible: 1 Kings 19. 12-18; II Corinthians 12. 2-6<\/p>\n<p>Albert the Great,\u00a0<em>Commentary on Dionysius\u2019 Mystical Theology<\/em><\/p>\n<p>Bonaventure,\u00a0<em>Itinerarium Mentis in Deum<\/em><\/p>\n<p>Gnostic\u00a0<em>Tripartate Tractate<\/em><\/p>\n<p>Augustine,\u00a0<em>Confessions<\/em>, Book IX. x. xxiii-xxv (Vision at Ostia)<\/p>\n<p>Jerome,\u00a0<em>De decem nominibus dei <\/em>(Patrologia Latina 23, 1038)<\/p>\n<p>Abraham Abulafia; see Moshe Idel\u2019s books<\/p>\n<p>Thomas Aquinas, &#8220;De nominibus Dei,&#8221;\u00a0<em>Summa theologica <\/em>I, quaestio 13<\/p>\n<p>Richard of St. Victoire,\u00a0<em>Benjamin Major<\/em><\/p>\n<p>Thierry of Chartres,\u00a0<em>Lectiones in Boethii librum de Trinitatis<\/em>, ed. N. M. \u00a0Haring, AHDLM 30 (1955)\u00a0<em>Archives d\u2019Histoire Doctrinale et Litt\u00e9raire du Moyen Age<\/em><\/p>\n<p>William of St. Thierry,\u00a0<em>Lettere d\u2019oro<\/em><\/p>\n<p>Bernard of Clairvaux,\u00a0<em>De consideratione<\/em> and\u00a0<em>Sermons on Song of Songs<\/em><\/p>\n<p>The\u00a0<em>Cloud of Unknowing<\/em><\/p>\n<p>Hadewijch,\u00a0<em>Mengeldichten<\/em> or\u00a0<em>Das Buch der Visionen<\/em><\/p>\n<p>Gertrude the Great,\u00a0<em>Revelationes<\/em> or\u00a0<em>Legatus divinae pietatis (Herald of God\u2019s<\/em><\/p>\n<p><em>Loving Kindness<\/em>)<\/p>\n<p>Jakob B\u00f6hme,\u00a0<em>Von der Gnadenwahl<\/em> (<em>On the Election of Divine Grace<\/em>)<\/p>\n<p>Silesius Angelus, from\u00a0<em>Wandering Cherub <\/em>(<em>Cherubinischer Wandersmann<\/em>)<\/p>\n<h3>CLT 355-03\u00a0On What Cannot Be Said: Apophatic Discourses in Theology, Philosophy, and Literature (Spring 1999 &amp; 2000)<\/h3>\n<p>This course examines traditional as well as new and radical currents of thinking about the limits of language and what may or may not lie beyond them. The course is built around literary and philosophical versions of and responses to classic expressions of negative theology in Western culture, that is, the attempt to devise and disqualify ways of talking about God as an ultimate reality beyond the reach of language.<\/p>\n<p>This inquiry necessarily entails an attempt to pry into the nature of language and its creative role with respect to the world and things. A great deal of reflection in this area has revolved around the mysteries of naming and of the Divine Name. There is an especially Jewish tradition of reflection for which any possibility of naming is grounded in the (unnameable) Name of God. The language theories of authors including Derrida, Rosenzweig, Benjamin and Levinas will be examined and backgrounded by biblical revelation and kabbalah speculation as presented especially by Scholem.<\/p>\n<p>Poetic versions of the problem of the unsayable, particularly by Dante, Dickinson, Celan, and Wallace Stevens, will also be featured.<\/p>\n<p>Introduction (poems by Wallace Stevens, Paul Celan and Rainer Maria Rilke)<\/p>\n<p>Rosenzweig,\u00a0<em>Der Stern der Erl\u00f6sung<\/em> (<em>The Star of Redemption)<\/em> Intro &amp; Part 1<\/p>\n<p>Rosenzweig,\u00a0<em>Der Stern der Erl\u00f6sung<\/em> (<em>The Star of Redemption)<\/em> Part 2<\/p>\n<p>Rosenzweig,\u00a0<em>Der Stern der Erl\u00f6sung<\/em> (<em>The Star of Redemption)<\/em> Part 3<\/p>\n<p>Schelling,\u00a0<em>The Ages of the World<\/em> (<em>Die Weltalter<\/em>)<\/p>\n<p>Pseudo-Dionysius,\u00a0<em>Mystical Theology <\/em>+\u00a0<em>The Divine Names<\/em> (<em>De divinis nominibus<\/em>)<\/p>\n<p>Plato,\u00a0<em>Parmenides<\/em><\/p>\n<p>Plotinus,\u00a0<em>Enneads<\/em>, Book V<\/p>\n<p>Meister Eckhart,\u00a0<em>German Sermons<\/em> (<em>Deutsche Predigten und Traktate<\/em>), [esp. 2 (&#8220;Intravit Jesus in quoddam castellum&#8221;), 52 (&#8220;Beati pauperes spiritu&#8221;) and &#8220;Surrexit Autem Saulus de Terra&#8221;] + Aquinas, &#8220;On Divine Names&#8221;<\/p>\n<p>Marguerite Porete,\u00a0<em>The Mirror of the Simple Souls Who Are Annihilated and Remain Only in Will and Desire of Love (Le Mirouer des simples ames anienties et qui seulement demourent en vouloir et desire d\u2019amour)<\/em><\/p>\n<p>+<\/p>\n<p>Emily Dickinson, Poems (Johnson numbers): 581, 701, 1452, \u00a01563,1651,1668, 1700, also 985, and 1071)<\/p>\n<p>Dante,\u00a0<em>Paradiso<\/em><\/p>\n<p>L\u00e9vinas,\u00a0<em>Time and the Other (Le temps et l\u2019autre)<\/em><\/p>\n<p>Derrida, &#8220;Denials: How to avoid speaking&#8221; (&#8220;Comment ne pas parler&#8221;) in\u00a0<em>Derrida and Negative Theology<\/em><\/p>\n<p>Derrida,\u00a0<em>On the Name <\/em>(<em>Sauf le nom<\/em>) = &#8220;Post-Scriptum&#8221; in\u00a0<em>Derrida and Negative Theology<\/em><\/p>\n<p>Silesius Angelus,\u00a0<em>The Wandering Cherub<\/em> (<em>Cherubinische Wandersmann<\/em>)<\/p>\n<p>Scholem, &#8220;On the Names of God&#8221;<\/p>\n<p>+ Benjamin, &#8220;On the Language of Men and on Language as Such&#8221;<\/p>\n<p>+ Celan, &#8220;Conversation in the Mountains&#8221; (&#8220;Gespr\u00e4ch im Gebirge&#8221;)<\/p>\n<h3>CLT\u00a0The Unnameable and the Sublime (crosslisted with French, team-taught with Marc Froment-Meurice) \u00a0(Spring 1998)<\/h3>\n<p>Traditional as well as new and radical currents of thinking about the limits of language and what may or may not lie beyond them. The course is built around literary and philosophical versions of and responses to classic expressions of negative theology in Western culture, that is, the attempt to devise and disqualify ways of talking about God as an ultimate reality beyond the reach of language. Theoretical negative theology, moreover, will be brought into relation with contemporary political questions about the &#8220;socially unspeakable,&#8221; leading to reflections on the reduction to silence of certain groups or concerns and certain kinds of languages today. To this end stimulation will be sought from Claude Lanzmann\u2019s film, &#8220;SHOAH.&#8221; Readings from:<\/p>\n<p>Plato,\u00a0<em>Sophist<\/em> (<em>SOFISTHS<\/em>)<\/p>\n<p>Plotinus,\u00a0<em>Enneids<\/em> V<\/p>\n<p>Longinus,\u00a0<em>On the Sublime<\/em> (<em>PERI UCOUS<\/em>)<\/p>\n<p>Dionysius,\u00a0<em>The Divine Names <\/em>(<em>De divinis nominibus<\/em>)<\/p>\n<p>Meister Eckhart,\u00a0<em>Deutsche Predigten und Traktate<\/em> or\u00a0<em>Reden der \u00a0Unterscheidung<\/em> (&#8220;Modicum . . .&#8221;, 70, in\u00a0<em>Die deutschen und lateinischen Werke<\/em>, vol. III, pp. 189-90).<\/p>\n<p>Silesius Angelus,\u00a0<em>Wandering Cherub <\/em>(<em>Cherubinische Wandersmann<\/em>)<\/p>\n<p>Kant,\u00a0<em>Critique of Judgment<\/em> (<em>Kritik der Urteilskraft<\/em>)<\/p>\n<p>Heidegger,\u00a0<em>On the Way to Language<\/em> (<em>Unterwegs zur Sprache<\/em>)<\/p>\n<p>Shelley, &#8220;Mount Blanc&#8221;<\/p>\n<p>Dickinson, Poems (Johnsons numbers): 581, 701, 1452, 1563, 1651,\u00a01668, 1700, also 985, and 1071)<\/p>\n<p>Bataille,\u00a0<em>Inner Experience<\/em> (<em>L\u2019experience int\u00e9rieure<\/em>)<\/p>\n<p>Blanchot,\u00a0<em>The Step\/Not Beyond <\/em>(<em>Le pas au-del<\/em>\u00e0)<\/p>\n<p>L\u00e9vinas,\u00a0<em>Totality and Infinity <\/em>(<em>Totalit\u00e9 et infini<\/em>)<\/p>\n<p>Derrida,\u00a0<em>On the Name<\/em> (<em>Sauf le nom<\/em>)<\/p>\n<p>&#8220;How Not to Speak&#8221; (&#8220;D\u00e9n\u00e9gations: Comment ne pas parler&#8221;)<\/p>\n<p>Celan, &#8220;Conversation in the Mountains&#8221; (&#8220;Gespr\u00e4ch im Gebirg&#8221;)<\/p>\n<p>Poems from\u00a0<em>Die Niemandsrose <\/em>(&#8220;Was Geschah,&#8221; &#8220;T\u00fcbingen, J\u00e4nner&#8221;)<\/p>\n<p>Jean-Luc Nancy, &#8220;Des Lieux Divins,&#8221; in\u00a0<em>Qu\u2019est-ce que Dieu? Hommage \u00e0 l\u2019abb\u00e9 Daniel Coppieters de Gibson (1929-1983)<\/em> (Bruxelles: Facult\u00e9s universitaires Saint-Louis, 1985).<\/p>\n<p>Additional Bibliography<\/p>\n<p>Bloom,\u00a0<em>Ruin the Sacred Truths<\/em><\/p>\n<p>Boileau,\u00a0<em>Trait\u00e9 du sublime ou du merveilleux dans le discours<\/em><\/p>\n<p>Chrysostom,\u00a0<em>On the Incomprehensible Nature of God<\/em>, trans. Paul W. Harkins in\u00a0<em>The Fathers of the Church<\/em> vol. 72 (Washington D. C.: The Catholic University of America Press, 1982)<\/p>\n<p>Cusanus,\u00a0<em>De docta ignorantia<\/em><\/p>\n<p>De Libera,\u00a0<em>Le probl\u00e8me de l\u2019\u00eatre chez ma\u00eetre Eckhart: logique et \u00a0m\u00e9taphysique de l\u2019analogie<\/em><\/p>\n<p>Dragonetti, &#8220;L\u2019Image et l\u2019irrepr\u00e9sentable dans l\u2019\u00e9criture de Saint \u00a0Augustin,&#8221; in\u00a0<em>Qu\u2019est-ce que Dieu? Philosophie \/ Th\u00e9ologie. Homages \u00e0 l\u2019abb\u00e9 Daniel Coppieters de Gibson.<\/em><\/p>\n<p>Givone, Sergio,\u00a0<em>Storia del nulla<\/em>(Bari: Laterza, 1995)<\/p>\n<p>Grassi,\u00a0<em>La preminenza della parola metaforica. Heidegger, Eckhart, Novalis<\/em><\/p>\n<p>Guill\u00e9n, Jorge. &#8220;The Ineffable Language of Mysticism: San Juan de la \u00a0Cruz.&#8221;\u00a0<em>Language and Poetry<\/em>. Harvard UP 1961.<\/p>\n<p>Hamacher,\u00a0<em>Premises. Essays on Philosophy and Literature from Kant \u00a0to Celan<\/em><\/p>\n<p>Heidegger, &#8220;Die Sprache&#8221; (&#8220;Language&#8221;)<\/p>\n<p><em>Erl\u00e4uterungen \u00fcber H\u00f6lderlins Dichtung<\/em><\/p>\n<p><em> Beitr\u00e4ge zur Philosophie<\/em><\/p>\n<p>Heiser, John. &#8220;Saint Augustine and Negative Theology.&#8221; In\u00a0<em>New\u00a0Scholasticism<\/em>. vol. LXIII, no. 1 (Winter 1989), pp. 66-80<\/p>\n<p>Iser and Budick, eds.,\u00a0<em>Languages of the Unsayable<\/em><\/p>\n<p>Kristeva,\u00a0<em>Pouvoirs de l\u2019horreur<\/em><\/p>\n<p>L\u00e9vinas, Emmanuel,\u00a0<em>L\u2019au-del\u00e0 du verset: Lectures et discours\u00a0Talmadiques<\/em> (Paris: Minuit, 1982)<\/p>\n<p>Lao Tzu,\u00a0<em>The Way of Life<\/em><\/p>\n<p>Lossky,\u00a0<em>Th\u00e9ologie n\u00e9gative et connsaissance de Dieu chez Ma\u00eetre Eckhart<\/em>, Paris, 1973<\/p>\n<p>Marion, J.-L., &#8220;La vanit\u00e9 d\u2019\u00eatre et le nom de Dieu,&#8221; in\u00a0<em>Analogie et\u00a0Dialectique: Essais de Th\u00e9ologie Fondamentale<\/em> (Geneva: Labor et Fides, 1982).<\/p>\n<p>Mortley, Raoul.\u00a0<em>From Word to Silence, I: The rise and fall of logos<\/em>(Bonn: Hanstein, 1986)<\/p>\n<p><em>____________. From Word to Silence, II The Way of Negation,\u00a0Christian and Greek<\/em> (Bonn: Hanstein, 1986).<\/p>\n<p>Moses Maimonides,\u00a0<em>Moreh Nevukhim<\/em> (<em>Guide to the Perplexed<\/em>), esp.\u00a0&#8220;Lashon Benai Adam&#8221; (&#8220;The Language of Man&#8221;) in Goodman, ed., \u00a0<em>Rambam<\/em><\/p>\n<p>Plato,\u00a0<em>Parmenides<\/em><\/p>\n<p>Schiller, &#8220;Vom Erhabenen&#8221; in\u00a0<em>Kleinere philosophische Schriften<\/em>in\u00a0<em>Werke<\/em> XII, 1, , ed. R. Boxberger, or in\u00a0<em>Schillers\u2019Werke <\/em>20 pt. 1,\u00a0ed. Benno von Wiese (Weimar: Hermann B\u00f6hlaus Nachfolger, 1962)<\/p>\n<p>Stevens, &#8220;Notes Towards a Supreme Fiction&#8221;<\/p>\n<p>Theunissen, Michael,\u00a0<em>The Other<\/em><\/p>\n<p>__________________.\u00a0<em>Negative Theologie der Zeit<\/em><\/p>\n<p>Weiskel,\u00a0<em>The Romantic Sublime: Studies in the Structure and Psychology of Transcendence<\/em><\/p>\n<p>Whittaker, John. &#8220;Basilides on the Ineffability of God,&#8221; in\u00a0<em>Studies in \u00a0Platonism and Patristic Thought <\/em>(London, 1984).<\/p>\n<p>AAVV,\u00a0<em>Autour de SHOAH<\/em><\/p>\n<p>Vahanian,\u00a0<em>Dieu anonyme<\/em><\/p>\n<p>Weiskel,\u00a0<em>The Romantic Sublime<\/em><\/p>\n<p>Arendt,\u00a0<em>The life of the Mind<\/em>, vol. 1,\u00a0<em>Thinking<\/em> (esp. c. 13: Metaphor and the Ineffable)<\/p>\n<p>Paintings by Turner or Caspar David Friedrich .<\/p>\n<p>Rationale for course on The Unnamable and the Sublime:<\/p>\n<p>This course proposes to bring some of the most enduringly significant attempts in different disciplines within Western culture to define the limits of language, and perhaps to exceed them, into comparison with one another. The tradition of negative theology will be compared with poetry of the ineffable and philosophical reflections on language that tend to define areas of inviolable silence. Since antiquity this problematic of the unsayable has been linked with that of the sublime, and this topic will serve to counterpoint the investigation of the central issues of negative theology. Such a pervasive problem as the language of the unsayable in Western tradition can best be treated at the intersection between disciplines, signally philosophy, theology, and poetry. It is not the property of any one national tradition nor is it peculiar to any historical period and demands the wide-ranging comparative treatment that this course proposes. Bringing together the different disciplinary and cultural backgrounds of the two instructors&#8211;both heavily invested in precisely this topic from widely diverse intellectual matrices&#8211;is part of a design to catalyze open dialogue on &#8220;what cannot be said&#8221; lurking as an ineluctable provocation perhaps in all discourses.<\/p>\n<h3>Hegel and the French Connection (crosslisted with Philosophy) (Fall 1999)<\/h3>\n<p>This course is designed to provide an introduction to postmodern thought. It focuses on a broad range of the contemporary French thinkers who are most influential in literary theory and other humanities disciplines today. Their refusal of systematicity, their claims on behalf of difference and otherness, have united them in a polemical stance against metaphysics and the whole tradition of Western, philosophical thinking that they generally concur in viewing as epitomized by and culminating in Hegel. In fact, major texts of each of these key thinkers are focused around readings of and confrontations with Hegel. It is especially Hegel\u2019s early philosophical masterpiece, the\u00a0<em>Phenomenology of Spirit<\/em>, that has been the center of interest, for this work, while it moves sweepingly towards the embodiment of Hegel\u2019s mature System, is at the same time profoundly marked by ineffaceable resistances to any possible totality, that is, by a sensitivity to the impossibility of its own undertaking and to the inevitability of exclusions. French thinkers have picked up on and exploited precisely the obstacles and exceptions to the totalizing projects of classic philosophical thought that are most completely realized, but are also most effectively questioned, by Hegel. In\u00a0<em>Of Grammatology<\/em> Derrida remarks that &#8220;Hegel is\u00a0<em>also<\/em> the thinker of irreducible difference . . . the last philosopher of the book and the first thinker of writing&#8221; (26\/ 41). This suggests why Derrida also said in an interview that &#8220;we will never be finished with the reading or rereading of the Hegelian text and, in a certain sense, I do nothing other than attempt to explain myself on this point . . . . the movement by means of which the text exceeds what it intends to say, permits itself to be turned away from, to return to, and to repeat itself outside its self-identity&#8221; (<em>Positions<\/em>, 77-78\/103-104).<\/p>\n<p>Hegel is taken by contemporary French philosophers of difference as completing the whole course of Western metaphysics, which in modern times, particularly since Descartes, becomes a metaphysics of the subject, the &#8220;I&#8221; who thinks and posits itself as the foundation of its world. The extreme consequences of precisely this subjective posture are reached in Hegel\u2019s Absolute Spirit, which encompasses all reality in consciousness as absolute knowledge of itself: consciousness knows all nature and history as externalized forms of itself, and by recognizing them as such reappropriates them into unity with consciousness in a total synthesis. This includes a claim to perfect harmony and total unity that has seemed to twentieth-century thinkers delirious and even catastrophic, to the extent that it allows no place for any irreducible otherness but mediates everything into versions of the self and the same. Everything comes to be incorporated in the course of Hegel\u2019s dialectic into the total synthesis of an absolute spirit to which nothing can remain exterior: all knowledge is ultimately self-knowledge, all relation is self-relation. In different ways, recent French thinkers of difference have all endeavored to rupture this total enclosure and immanence that became manifest as a destiny of Western thought definitively realized in Hegel\u2019s System.<\/p>\n<p>The\u00a0<em>Phenomenology<\/em>,in its role as &#8220;preface&#8221; to the Systemstands ambiguously both inside and outside of it. It is the record of Hegel\u2019s own journey towards his all-encompassing order, and it bears the marks of the repressions that the French have been concerned to unearth and valorize as escaping from total domination. Their obsessive themes of difference, excess, transgression, rupture, heterogeneity, otherness are all best understood in relation to the basically Hegelian framework they are conceived in order to break out of and overcome, or at least to interrupt, displace, disarticulate, and dismantle. Yet there is an irony in the extent to which French postmodern thought may still be, despite its posture of contestation, deeply and irremediably Hegelian. Only Hegel and the dialectical identity of identity and difference that characterizes his thought makes possible many of the most peculiarly characteristic moves and modes of this recent French thinking. The totalitarian, dogmatic Hegel, moreover, converts into Hegel the thinker of the &#8220;open system&#8221; (Labarri\u00e8re), the last of the great philosophers because still &#8220;actual&#8221; in his focus on the disquietude of the negative (Nancy) and on freedom as the endless movement of contingency (Weil). Reading through the rhetoric of rejection, and often following overt admissions of dialectical dependence, we will note the indelible indebtedness to Hegel, as well as the &#8220;difference&#8221; that postmodernism makes. In the end, this course will have provided a general introduction to postmodern thought by exposing some of its deepest drives and basic philosophical motivations.<\/p>\n<h3>Poetics and Politics of the Origin of Language (Spring 1999)<\/h3>\n<p>As pondered by a certain humanist tradition since antiquity, the order of things in general and of human society in particular is mirrored and to a large extent even established and generated by the order of language. Language is thus a privileged locus for human creative effort in aesthetic, ethical and other domains, though its privilege is also frought with risks and ambiguities. Endeavors to exploit language\u2019s poetic resources have very often been inextricably bound up with theoretical inquiry into the nature and essence of language and its relation to world, self, society, reality, and the beyond. We will follow a number of paths into the nature of language and poetry as illuminating one another reciprocally and as formative for political order but also as beholden to and manipulable by it. Different models of language in the ancient and medieval, as well as the modern, worlds will be analyzed in relation to the poetic and political powers that language is able to claim or that are exerted through it for better and for worse.<\/p>\n<p>The most important ideas about language have sooner or later found expression in myths or accounts of its origin, and this will give us our thematic thread. Discourses about the origin of language become a minor genre in their own right, and the stories told about how language originates are saturated with ideological implications, embodying interpretations of the relation of human beings to nature, to one another in society, to empowerment, and to higher powers. We will consider the question of origins not only anthropologically and etiologically but broadly in terms also of language as itself an origin of world and human, historical life.<\/p>\n<p>1 Introduction<\/p>\n<p>2 Plato,\u00a0<em>Cratylus<\/em> + Grassi, &#8220;Rhetoric and Philosophy&#8221;<\/p>\n<p>3 Cicero,\u00a0<em>De inventione<\/em>,\u00a0<em>Topica<\/em> +Horace, &#8220;Ars poetica&#8221; (excerpts) &amp; Quintilian<\/p>\n<p>+\u00a0<em>Rig Veda<\/em> 10.71<\/p>\n<p>+ Grassi, &#8220;Rhetoric as the Ground of Society&#8221;<\/p>\n<p>4 Dante,\u00a0<em>De vulgari eloquentia<\/em><\/p>\n<p>5 Dante,\u00a0<em>Paradiso<\/em><\/p>\n<p>6 Grassi,\u00a0<em>Renaissance Humanism<\/em><\/p>\n<p>7 Vico,\u00a0<em>The New Science<\/em>, Idea of the Work and Books I &amp; II<\/p>\n<p>Optional: Vico,\u00a0<em>On the Ancient Wisdom of the Italians taken from the Origins of the Latin Language<\/em><\/p>\n<p>8 SPRING BREAK<\/p>\n<p>9 Vico,\u00a0<em>The New Science,<\/em> Books II-V<\/p>\n<p>10 Rousseau,\u00a0<em>On the Origin of Language<\/em><\/p>\n<p>Herder,\u00a0<em>Prize Essay on the Origin of Language<\/em><\/p>\n<p>Optional: Herder, &#8220;Essay on a History of Lyric Poetry&#8221;<\/p>\n<p>11 Derrida,\u00a0<em>Of Grammatology<\/em>, Part I<\/p>\n<p>12 Derrida,<em>Of Grammatology<\/em>, Part II<\/p>\n<p>13 Humboldt,\u00a0<em>On Language: the diversity of human language <\/em><\/p>\n<p><em> structure and its influence on the mental development of mankind<\/em><\/p>\n<p>14 Heidegger, &#8220;Holderlin and the Essence of Poetry&#8221;<\/p>\n<p>&#8220;Language&#8221;<\/p>\n<p>&#8220;What are Poets For?&#8221;<\/p>\n<p>15 Benjamin, &#8220;On Language as Such and on the Language of Men&#8221;<\/p>\n<p>+ &#8220;The Task of the Translator&#8221;<\/p>\n<p>Optional: Derrida, &#8220;The Towers of Babel&#8221;<\/p>\n<h3>CLT 350\u00a0<strong>Applications and Emergencies of Literary Theories<\/strong> (team-taught with Margaret Doody) (Fall 1997)<\/h3>\n<p>This course aims to explore fundamental aspects of literary theory as they emerge and are applied not only in theoretical works rooted in diverse disciplines and traditions but also in literary, philosophical, religious, anthropological, etc., works themselves. Focal themes will include the difference made by writing in the stories and discourses that make up a culture as well as in the construction of the history of an individual subject. Thus autobiography as a mode of theorizing about literature will be given special attention. The classical tradition\u2019s wisdom on the construction of plot will be considered in relation to twists to narrative structure in other cultures, particularly the Chinese and Christian.<\/p>\n<p>*Plato,\u00a0<em>Phaedrus<\/em><\/p>\n<p><em>Ion<\/em><\/p>\n<p>*Derrida,\u00a0<em>Plato\u2019s Pharmacy<\/em> (in\u00a0<em>Diss\u00e9mination<\/em>)<\/p>\n<p>Sappho,\u00a0<em>Poems<\/em><\/p>\n<p>Barthes,\u00a0<em>Le plaisir du texte<\/em><\/p>\n<p>Scarry,\u00a0<em>The Body in Pain<\/em> (Pt. 2, &#8220;Pain and Imagining,&#8221; &#8220;Body and Voice in the Judeo-Christian Scriptures and in Marx)<\/p>\n<p>[Aristotle,\u00a0<em>Poetics<\/em>]<\/p>\n<p>[Horace,\u00a0<em>Ars Poetica<\/em> and\u00a0<em>Odes<\/em> or<em>Satires<\/em>?]<\/p>\n<p>*Sidney,\u00a0<em>Apology for Poetry<\/em><\/p>\n<p>[Augustine,\u00a0<em>De doctrina christiana<\/em>]<\/p>\n<p>[Dante,\u00a0<em>Paradiso<\/em>]<\/p>\n<p>*Chaucer,\u00a0<em>House of Fame <\/em>x<\/p>\n<p>Tsao Hsueh-Chin and Kao Ngo,\u00a0<em>The Dream of Red Chamber<\/em> I<\/p>\n<p>*Teresa of Avilla,\u00a0<em>The Interior Castle<\/em><\/p>\n<p>*Borges, (<em>Cinque Conferencias<\/em>)\u00a0<em>Labyrinths<\/em><\/p>\n<p>[Kristeva,\u00a0<em>Histoires d\u2019Amour<\/em>]<\/p>\n<p>*Goethe,\u00a0<em>Faust I &amp; II<\/em> (Kaufman transl.) [Val\u00e9ry?]<\/p>\n<p>*Coleridge,\u00a0<em>Biographia Literaria<\/em><\/p>\n<p>*Jung,\u00a0<em>Memory, Dreams, Reflections<\/em><\/p>\n<p>+Benjamin,\u00a0<em>Reflections <\/em>(<em>Berliner Chronik<\/em>, Paris, Naples,<\/p>\n<p>[Nietzsche,\u00a0<em>Ecce Homo<\/em>]<\/p>\n<p>+Baudrillard,\u00a0<em>L\u2019Amerique<\/em><\/p>\n<p>+Bhakthin, on chronotypes and topos<\/p>\n<h2>CLT 350\u00a0Applications and Emergences of Literary Theories:<\/h2>\n<h3>Postcolonial Criticism and Theory<\/h3>\n<p>(team-taught with Margaret Doody) (Fall 1998)<\/p>\n<p>Apuleius,\u00a0<em>Golden Ass<\/em><\/p>\n<p>Said,\u00a0<em>Orientalism<\/em><\/p>\n<p>Bhabha,\u00a0<em>Nation and Narration<\/em><\/p>\n<p>Kristeva,\u00a0<em>Nations without Nationalisms<\/em><\/p>\n<p>Gandhi,\u00a0<em>Hind Swaraj<\/em><\/p>\n<p>Baudrillard,\u00a0<em>America<\/em><\/p>\n<p>Rushdie,\u00a0<em>Midnight\u2019s Children, <\/em>&#8220;Haroun and the Sea of Stories&#8221;<\/p>\n<p>Fanon,\u00a0<em>The Wretched of the Earth<\/em>,\u00a0<em>Peau noire masques blancs<\/em><\/p>\n<p>Burke,\u00a0<em>A Rhetoric of Motives<\/em><\/p>\n<p>Soyinka,\u00a0<em>Myth, Literature and the African World<\/em><\/p>\n<p>Marlowe,\u00a0<em>Tamberlaine<\/em><\/p>\n<p>Spivak, &#8220;Can the Subaltern Speak?&#8221;<\/p>\n<p>Memmi,\u00a0<em>Portrait du Colonis\u00e9<\/em><\/p>\n<p>Garcilaso de Vega,\u00a0<em>Commentarios Reales<\/em><\/p>\n<p>Fran\u00e7oise de Graffigny,\u00a0<em>Lettres d\u2019une P\u00e9ruvienne<\/em><\/p>\n<p>Maryse Cond\u00e9, in\u00a0<em>Travers\u00e9e de la Mangrove<\/em><\/p>\n<p>Derrida, &#8220;Admiration de Nelson Mandela ou les lois de la r\u00e9flexion&#8221;<\/p>\n<p>H\u00e9l\u00e8ne Cixous, &#8220;La Venue a L\u2019\u00e9criture&#8221; in\u00a0<em>Entre L\u2019\u00e9criture<\/em><\/p>\n<h3>Metaphor<\/h3>\n<p>(crosslisted with English) (Spring 1997)<\/p>\n<p>An examination of theories of metaphor supported by interpretations of metaphor at work in literary and other sorts of texts. Questions as to the nature and sources of linguistic innovation, the roles of similarity and comparison, the bases for metaphor in the world and in language, and the question whether all language is metaphorical. These and other questions will be pursued across a range of theories falling under three general paradigms: analytic philosophy of language, structuralism and semiotics, and hermeneutics.<\/p>\n<p>A central axis of readings will be formed by the classical rhetorical tradition concerning literary metaphor and the philosophical reflection on metaphor from antiquity through the Renaissance (Aristotle, Quintillian, Cicero, Augustine,\u00a0<em>De doctrina christiana<\/em>, Geoffrey of Vinsauf,\u00a0<em>Poetria Nova<\/em>, and Henry Peacham,\u00a0<em>The Garden of Eloquence<\/em>), to modern philosophical reflection by I. A. Richards,<em>The Philosophy of Rhetoric<\/em> and Ricoeur,\u00a0<em>La m\u00e9tahpre vive, <\/em>and its critique by Derrida (&#8220;Le retrait de la metaphor&#8221; and &#8220;La mythologie blanche: la m\u00e9taphor dans le texte philosophique&#8221;).<\/p>\n<p>Dante\u2019s\u00a0<em>Paradiso<\/em>, an inaugural text for metaphor in a modern sense, has been chosen as a starting point and common resource for us. The particular interests and disciplinary backgrounds of each of the seminar\u2019s participants will determine other exemplary texts, formally through an oral presentation. A bibliography and consultations with the instructor are available to help guide the choice of texts and topic.<\/p>\n<p>Introduction<\/p>\n<p>Richards,\u00a0<em>The Philosophy of Rhetoric<\/em><\/p>\n<p>Ricoeur,\u00a0<em>The Rule of Metaphor<\/em> 1 &amp; 2<\/p>\n<p>+ Aristotle,\u00a0<em>Poetics<\/em>1457b (ch. 21);\u00a0<em>Rhetoric<\/em> 1406b, 1410b, 1412a<\/p>\n<p>+ Quintillian, from\u00a0<em>De Institutione Oratoria Libri Duodecim<\/em><\/p>\n<p>+ Dumarsais, from\u00a0<em>Les figures du discours<\/em><\/p>\n<p>Black, &#8220;Metaphor,&#8221;\u00a0<em>Proceedings of the Aristotelian Society<\/em> 55<\/p>\n<p>(1954\/55): 273-294<\/p>\n<p>+ Black, &#8220;Models and Archetypes&#8221; in\u00a0<em>Models and Metaphors<\/em><\/p>\n<p>+ Davidson, &#8220;What Metaphors Mean&#8221; in Sacks,\u00a0<em>On Metaphor<\/em><\/p>\n<p>Optional: Black, &#8220;More About Metaphor,&#8221; in Ortony<\/p>\n<p>+ Ricoeur,\u00a0<em>The Rule of Metaphor<\/em> 3<\/p>\n<p>Lakoff and Johnson,\u00a0<em>Metaphors We Live By<\/em><\/p>\n<p>Optional: Kuhn, in Ortony<\/p>\n<p>Sontag,\u00a0<em>Illness as Metaphor<\/em><\/p>\n<p>Eco, &#8220;Metaphor and Semiosis,&#8221;\u00a0<em>Semiotics and the Philosophy of Language<\/em><\/p>\n<p>Optional: Ricoeur,\u00a0<em>The Rule of Metaphor<\/em> 4 and 5<\/p>\n<p>Juri Lotman. &#8220;Myth-Name-Culture,&#8221;\u00a0<em>Semiotica<\/em> 22<\/p>\n<p>Cassirer,\u00a0<em>Language and Myth<\/em><\/p>\n<p>+ Vico, &#8220;Poetic Logic&#8221;<\/p>\n<p>Optional: Ortega y Gasset<\/p>\n<p>Ricoeur,\u00a0<em>The Rule of Metaphor<\/em> 6 &amp; 7<\/p>\n<p>Derrida, &#8220;La mythologie blanche&#8221; (= &#8220;White Mythology&#8221;)<\/p>\n<p>Optional: Sarah Kofman,\u00a0<em>Nietzsche et la m\u00e9taphore<\/em> [abbreviated version in Po\u00e9tique 2 (1971): 77-98])<\/p>\n<p>Nietzsche, &#8220;\u00dcber Wahrheit und L\u00fcge im aussermoralischen\u00a0Sinne&#8221;<\/p>\n<p>Ricoeur,\u00a0<em>The Rule of Metaphor<\/em> 8<\/p>\n<p>Optional: Derrida, &#8220;Le retrait de la m\u00e9taphore&#8221; (=&#8221;The\u00a0Retreat of Metaphor&#8221;)<\/p>\n<p>Ricoeur, &#8220;The Metaphorical Process as Cognition,\u00a0Imagination, and Feeling,&#8221;\u00a0<em>Critical Inquiry<\/em> 5 (Autumn 1978)<\/p>\n<p>Grassi,\u00a0<em>The Primordial Metaphor<\/em><\/p>\n<p>Krieger,\u00a0<em>A Reopening of Closure<\/em><\/p>\n<p>Conclusion<\/p>\n<h3>CLT 327\u00a0The Structuralist Paradigm and its Transformations (Fall 1996)<\/h3>\n<p>Seminal for the development of literary theory in this century, especially as led by French writers and thinkers, is the revolution starting from Saussure and his structural understanding of language. Virtually all the humanities disciplines, and literature in particular, have undergone radical transformation in its wake. Our selection of texts and theorists is guided by a central interest in following the development and transformations of the structuralist paradigm as it has been applied to poetic language. The most general questions concerning the grounds and limits of language\u2019s meaningfulness and the powers or impotency of the sign will be approached with special emphasis on the insights that open up from within structuralist and post-structuralist theoretical perspectives trained on the poetry particularly of Baudelaire, Rimbaud, Mallarm\u00e9, and Ponge.<\/p>\n<h4>Texts:<\/h4>\n<p>Classpack at Campus Copy<\/p>\n<p>[+Ross Chambers on Baudelaire\u2019s &#8220;A une passante&#8221;]<\/p>\n<p>Barthes,\u00a0Writing Degree Zero\/Le degr\u00e9e z\u00e9ro de l\u2019\u00e9criture<\/p>\n<p>_______,\u00a0Elements of Semiology (optional)<\/p>\n<p>Derrida,\u00a0Of Grammatology\/De la Grammatologie<\/p>\n<p>______,\u00a0Dissemination \/\u00a0La diss\u00e9mination<\/p>\n<p>______,\u00a0Sign\u00e9ponge (optional)<\/p>\n<p>______,\u00a0Acts of Literature (optional)<\/p>\n<p>Kristeva,\u00a0Revolution in Poetic Language\/R\u00e9volution dans le language po\u00e9tique<\/p>\n<p>Mallarm\u00e9,\u00a0Selected Poetry and Prose<\/p>\n<p>Rimbaud,\u00a0Complete Works<\/p>\n<p>Saussure,\u00a0Course in General Linguistics\/Cours de linguistique g\u00e9n\u00e9rale<\/p>\n<h3>CLT\/French 327\u00a0Theories of Poetic Language (Spring 1995)<\/h3>\n<p>New experiences of language and of the worlds it renders accessible have been pioneered by\u00a0avant-garde movements in poetry, particularly by &#8220;les symbolistes&#8221; together with their Romantic precursors and modernist heirs. Literary theories to a large extent have been stimulated by these new experiences of poetic language. In this course we will read contemporary literary theorists like Derrida, Kristeva, Barthes, De Man, Blanchot, Jakobson and others in close connection with the sorts of poetic works which have produced the phenomena to be theorized within the new horizon of &#8220;language&#8221; in our time.<\/p>\n<p>The course is designed to introduce students to classic, key-stone texts and concepts of literary theory, not through a survey of &#8220;isms&#8221; but rather by concentrating on the question of poetic language; through this specific thematic focus it aims to bring out what the various theoretical approaches&#8211;structuralist and deconstructive, hermeneutic and post-modern&#8211;really mean in application.<\/p>\n<h4>Texts:<\/h4>\n<p>Course Reader at Campus Copy<\/p>\n<p>Barthes,\u00a0Writing Degree Zero\/Le degr\u00e9e z\u00e9ro de l\u2019\u00e9criture<\/p>\n<p>Baudelaire,\u00a0Selected Poems<\/p>\n<p>Derrida,\u00a0Of Grammatology\/De la Grammatologie<\/p>\n<p>Kristeva,\u00a0Revolution in Poetic Language<\/p>\n<p>Mallarm\u00e9,\u00a0Selected Poetry and Prose<\/p>\n<p>Val\u00e9ry,\u00a0Selected Writings<\/p>\n<p>SCHEDULE OF READINGS:<\/p>\n<p>1\/18 Introduction: The Orphic and the Hermetic Conceptions of Poetic Language<\/p>\n<p>1\/25 Heidegger, &#8220;H\u00f6lderlin and the Essence of Poetry&#8221;<\/p>\n<p>Wordsworth, Preface to\u00a0Lyrical Ballads<\/p>\n<p>Culler, &#8220;Apostrophe&#8221;<\/p>\n<p>2\/1 de Saussure, &#8220;The Nature of the Linguistic Sign,&#8221;\u00a0Cours I, 1<\/p>\n<p>Jakobson, &#8220;Linguistics and Poetics&#8221;<\/p>\n<p>________, &#8220;Charles Baudelaire\u2019s \u2018Les Chats\u2019&#8221;<\/p>\n<p>Aristotle,\u00a0Poetics, secs. 20-22 (on metaphor)<\/p>\n<p>2\/8 Barthes,\u00a0Writing Degree Zero<\/p>\n<p>_______, extract from &#8220;Le Mythe, Aujourd\u2019hui&#8221;<\/p>\n<p>Rimbaud, &#8220;Voyelles,&#8221; &#8220;Le Batteau Ivre,&#8221; Lettres du voyant<\/p>\n<p>2\/15 Kristeva,\u00a0Revolution in Poetic Language, I (&#8220;The Semiotic and the\u00a0Symbolic), pp.1-106<\/p>\n<p>Rimbaud,\u00a0Illuminations (esp. &#8220;Matin\u00e9e d\u2019ivresse,&#8221; &#8220;Barbare&#8221;)<\/p>\n<p>2\/22 Kristeva,\u00a0Revolution in Poetic Language, II-IV (Negativity, Heterogeneity, Practice), pp. 107-235<\/p>\n<p>Rimbaud,\u00a0Une Saison en Enfers + &#8220;L\u2019\u00c9ternit\u00e9,&#8221; p. 138<\/p>\n<p>2\/1 Derrida,\u00a0Of Grammatology, cc. 1-2<\/p>\n<p>3\/8 SPRING BREAK<\/p>\n<p>3\/15 Blanchot, &#8220;Literature and the Right to Death&#8221;<\/p>\n<p>Mallarm\u00e9, &#8220;Po\u00e9sies&#8221; (esp. &#8220;L&#8217;Apr\u00e8s midi d&#8217;un Faune,&#8221; &#8220;Le vierge, le\u00a0vivace&#8230;&#8221;)<\/p>\n<p>Derrida, &#8220;The Double Session&#8221;<\/p>\n<p>Verlaine, &#8220;Art po\u00e9tique&#8221;<\/p>\n<p>3\/22 Mallarm\u00e9, &#8220;Po\u00e9sies&#8221; (esp. &#8220;Herodiade,&#8221; &#8220;Sonnet en x&#8221;)<\/p>\n<p>Mallarm\u00e9, &#8220;Crise de vers,&#8221; &#8220;Quant au livre,&#8221; &#8220;Le livre, instrument\u00a0spirituel,&#8221; &#8220;Le myst\u00e8re dans les lettres&#8221;<\/p>\n<p>Johnson, &#8220;<em>Les Fleurs du mal arm\u00e9<\/em>: Some Reflections on Intertextuality&#8221;<\/p>\n<p>Plato, &#8220;Cratylus&#8221;<\/p>\n<p>3\/29 Mallarm\u00e9, &#8220;Igiture,&#8221; &#8220;Un Coup de d\u00e9s&#8221;<\/p>\n<p>Blanchot, &#8220;The Igitur Experience&#8221;<\/p>\n<p>Lyotard, excerpt from\u00a0Discours, Figure on &#8220;Coup de d\u00e9s&#8221;<\/p>\n<p>4\/5 Val\u00e8ry, &#8220;Le Cimeti\u00e8re marin&#8221;\u00a0<em>et al<\/em>.<\/p>\n<p>______, &#8220;Poetry and Abstract Thought&#8221;<\/p>\n<p>______, &#8220;Last Visit to St\u00e9phane Mallarm\u00e9&#8221;<\/p>\n<p>Genette, &#8220;Valery and the Poetics of Language&#8221;<\/p>\n<p>4\/12 Benjamin, &#8220;On Some Motifs in Baudelaire&#8221;<\/p>\n<p>________, &#8220;The Task of the Translator&#8221;<\/p>\n<p>Baudelaire,\u00a0Fleurs du mal (esp. &#8220;\u00c0 une passante&#8221;)<\/p>\n<p>4\/19 De Man, &#8220;The Rhetoric of Temporality&#8221;<\/p>\n<p>______, &#8220;Anthropomorphism and Trope in Lyric&#8221;<\/p>\n<p>Baudelaire,\u00a0Fleurs du mal (esp. &#8220;Correspondances&#8221;)<\/p>\n<p>4\/26 Baudelaire,\u00a0Fleurs du mal (esp. &#8220;Le Cygne&#8221;)<\/p>\n<p>Most, &#8220;The Language of Poetry&#8221;<\/p>\n<p>Jameson, &#8220;Baudelaire as Modernist and Postmodernist: The Dissolution\u00a0of the Referent and the Artificial Sublime&#8221;<\/p>\n<h3>Hermeneutics (crosslisted with Philosophy) (1992-95)<\/h3>\n<p>This course is meant to serve as a general introduction to a certain current of thinking in continental philosophy, arts criticism and social science known as &#8220;hermeneutics.&#8221; It takes Heidegger\u2019s thought, both early and late, as ground-breaking for the modern hermeneutic revolution and then reads forwards to contemporary developments of hermeneutics as a philosophical school, especially by Gadamer, as well as backwards to important antecedents for this decisive turning in the history of interpretation. Thus Heidegger\u2019s texts together with Gadamer\u2019s\u00a0Truth and Method will serve as a central path from which we will branch off to explore a variety of styles of hermeneutic thinking, represented by brief texts from Ricoeur, Foucault, Derrida, Humboldt, Habermas. Along the way, retrospectively, the significance of classics in hermeneutic theory by Schleiermacher, Dilthey, Hegel and St. Augustine will be brought to focus.<\/p>\n<h4>REQUIRED TEXTS:<\/h4>\n<p>Gadamer,\u00a0Truth and Method<\/p>\n<p>Heidegger,\u00a0Being and Time<\/p>\n<p>Heidegger,\u00a0Poetry, Language, Thought<\/p>\n<p>Mueller-Vollmer,\u00a0The Hermeneutics Reader<\/p>\n<p>Course Reader, includes:\u00a0<strong>Augustine<\/strong>,\u00a0On the Trinity, Book XV;\u00a0<strong>Derrida<\/strong>, &#8220;Sendings: On Representation&#8221;;\u00a0<strong>Foucault<\/strong>, &#8220;Nietzsche, Freud, Marx&#8221;;\u00a0<strong>Hegel<\/strong>, Introduction to\u00a0Phenomenology of Spirit;\u00a0<strong>Ricoeur<\/strong>, &#8220;The Task of Hermeneutics.&#8221;<\/p>\n<h4>OPTIONAL TEXTS:<\/h4>\n<p>Bruns,\u00a0Hermeneutics: Ancient and Modern<\/p>\n<p>Dreyfus,\u00a0Being-in-the-World: A Commentary of Heidegger\u2019s\u00a0<em>Being and Time<\/em>, Division I<\/p>\n<p>Klemm,\u00a0Hermeneutical Inquiry II<\/p>\n<p>Ricoeur,\u00a0Interpretation Theory<\/p>\n<p>Steiner,\u00a0After Babel: Aspects of Language and Translation<\/p>\n<p>Weinsheimer,\u00a0Gadamer\u2019s Hermeneutics<\/p>\n<h2>Vanderbilt Courses Archive<\/h2>\n<h3>Graduate Seminars previously taught \u00a0 CLT=Comparative Literature<\/h3>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-360-Philosophy-and-Literature.doc\">CLT (Comparative Literature)\u00a0360\u00a0 Philosophy and Literature\u00a0 (Spring 2005)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-341-Introduction-to-Literary-Theory-and-Criticism.doc\">CLT 341 Introduction to Literary Theory and Criticism: Current Trends\u00a0 (Fall 2003, 2004)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-340-Introduction-to-Literary-Theory-and-Criticism.doc\">CLT 340 Introduction to Literary Theory and Criticism: Classic Texts and Traditions (Spring 2003, 2004)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/The-Writing-of-Silence.doc\">CLT 355\u00a0 The Writing of Silence \u00a0(Spring 2002)<\/a><br \/>\n<a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-355-Mystical-Rhetorics-of-Silence-from-Plotinus-to-John-of-the-Cross.doc\">CLT 355 Mystical Rhetorics of Silence from Plotinus to John of the Cross (Fall 2001)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-355-On-What-Cannot-Be-Said.doc\">CLT 355-03 On What Cannot Be Said: Apophatic Discourses in Theology, Philosophy, and Literature (Spring 2000)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-355-Poetics-and-Politics-of-the-Origin-of-Language.doc\">CLT 355 Poetics and Politics of the Origin of Language (Spring 1999)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-355-The-Unnameable-and-the-Sublime.doc\">CLT\/French 355\u00a0 The Unnameable and the Sublime<\/a> (Fall 1999)<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-355-Metaphor.doc\">CLT\/English 355\u00a0 Metaphor<\/a> (Spring 1998)<\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-350-Applications-and-Emergencies-of-Literary-Theories.doc\">CLT 350 Postcolonial Criticism and Theory: Applications and Emergences of Literary Theories\u00a0(team-taught with Margaret Doody)\u00a0 (Fall 1998)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/CLT-350-Applications-and-Emergencies-of-Literary-Theories.doc\">CLT 350 The Soul:\u00a0 Applications and Emergencies of Literary Theories (team-taught with Margaret Doody) (Fall 1997)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Fall-1996-CLT-327-The-Structuralist-Paradigm-and-its-Transformations.doc\">CLT 327\u00a0 The Structuralist Paradigm and its Transformations (Spring 1997)<\/a><\/p>\n<p><a href=\"https:\/\/cdn-dev.vanderbilt.edu\/t2-my-dev\/wp-content\/uploads\/sites\/470\/2014\/03\/Hermeneutics.doc\">CLT 345 \/ Philosophy 345\u00a0 Hermeneutics (repeated 1992-1995)<\/a><\/p>\n<h2>Research Tools<\/h2>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Comparative_literature\">Comparative Literature<\/a><\/p>\n<p><a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-content\/uploads\/sites\/470\/2014\/03\/Apophatische-oder-negative-Theologie-in-der-Kultur.sylb.doc\" target=\"_new\">Apophatische oder negative Theologie in der Kultur.sylb.doc<\/a><\/p>\n<p><a href=\"http:\/\/www.ac-nice.fr\/philo\/textes\/biblio.htm\">Biblioth\u00e8que philosophique<\/a><br \/>\n<a href=\"http:\/\/bibliotheque.editionsducerf.fr\/home.htm\">Biblioth\u00e8que du Cerf<\/a><\/p>\n<p><a href=\"http:\/\/homepage.ruhr-uni-bochum.de\/Michael.Renemann\/suarez\/\"><br \/>\nSuarez, Disputationes Metaphysicae<\/a><\/p>\n<p><a href=\"http:\/\/www.sacred-texts.com\/cla\/virgil\/aen\/aenl12.htm\">Sacred Texts .com<\/a><\/p>\n<p><a href=\"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/2014\/03\/$1.docITA-syllabus-Francesca.rtf\">syllabus ITA 102<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vanderbilt University,\u00a0Fall\u00a02024 Great Books of Modern European Tradition, European Studies EUS 2214\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0EUS 2214 syllabus ITALIAN\u00a0 324: Dante\u2019s Divine Comedy\u00a0\u00a0Dante-I-DC-Fall 2023 Harvard University Center for Italian Renaissance Studies (Villa i Tatti), Florence, Italy, Spring 2024 Francesco de Dombrowski Visiting Professor Seminar: \u201cTransmedial Transmissions: Dante Gabriel Rossetti and the Cult of the&#8230;<\/p>\n","protected":false},"author":615,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"tags":[],"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/users\/615"}],"replies":[{"embeddable":true,"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":58,"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":4104,"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/pages\/7\/revisions\/4104"}],"wp:attachment":[{"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/media?parent=7"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/my.dev.vanderbilt.edu\/williamfranke\/wp-json\/wp\/v2\/tags?post=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}