{"id":99,"date":"2016-11-09T14:12:30","date_gmt":"2016-11-09T19:12:30","guid":{"rendered":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/?page_id=99"},"modified":"2018-10-20T11:30:39","modified_gmt":"2018-10-20T16:30:39","slug":"edited-volume","status":"publish","type":"page","link":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/edited-volume\/","title":{"rendered":"Edited Volume"},"content":{"rendered":"

One of the exciting developments from our last conference is a forthcoming volume from Vanderbilt University Press, edited by Richard Pace, primarily composed of material presented in 2015. Here is a preview of the table of contents ( please note: this is a work in progress and subject to change).<\/p>\n

\n

\"Indigital<\/p>\n

\n

CONTENTS<\/span><\/h2>\n

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..<\/p>\n

INTRODUCTION\u00a0\u00a0\u00a0\u00a0<\/span> Indigenous Engagement with Electronic and\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>\u00a0 2<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Digital Media in Latin America <\/strong><\/p>\n

Richard Pace<\/p>\n

CHAPTER ONE\u00a0<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Indigenous Media from U-Matic to YouTube: Media\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>22<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sovereignty in the Digital Age <\/strong><\/p>\n

Faye Ginsburg<\/p>\n

PART TWO: INDIGENOUS FILM AND FILMMAKERS<\/span><\/p>\n

CHAPTER TWO<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kiabieti Mentuktire and Terence Turner: A Legacy of<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 46<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kayap\u00f3 Filmmaking<\/strong><\/p>\n

Richard Pace<\/p>\n

and Glenn H. Shepard Jr.<\/p>\n

CHAPTER THREE<\/span>\u00a0\u00a0\u00a0 Wallmapu Rising: Re-envisioning the Mapuche Nation<\/strong>\u00a0\u00a0\u00a0\u00a0 62<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Through Media<\/strong><\/p>\n

Amalia C\u00f3rdova<\/p>\n

CHAPTER FOUR<\/span>\u00a0\u00a0\u00a0\u00a0 Transformations of Indigenous Media: The Life and \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 <\/strong>88<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Work of David Hern\u00e1ndez Palmar\u00a0 <\/strong><\/p>\n

Laura Graham<\/p>\n

CHAPTER FIVE<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Value and Ephemeral Materiality: Media Archiving<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 122<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 in Tamazulapam, Oaxaca \u00a0<\/strong><\/p>\n

Erica Cusi Wortham<\/p>\n

CHAPTER SIX\u00a0<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Making Media: Collaborative Ethnography and\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>140<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kayap\u00f3 Digital Worlds <\/strong><\/p>\n

Ingrid Ram\u00f3n Parra<\/p>\n

Laura Zanotti<\/p>\n

Diego Soares<\/p>\n

PART THREE: SOUNDS AND IMAGES<\/span><\/p>\n

CHAPTER SEVEN<\/span>\u00a0\u00a0 \u00a0 National Culture, Indigenous Voice: Creating an\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 <\/strong>172
\n<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alternative Counter-Narrative on Colombian Radio <\/strong><\/p>\n

Mario Murillo<\/p>\n

CHAPTER EIGHT<\/span>\u00a0\u00a0\u00a0 The Shaman & the Flash Drive\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 <\/strong>205<\/p>\n

Guilherme Orlandini Heurich<\/p>\n

CHAPTER NINE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Kawaiwete Perspectives: the Role of Photography in\u00a0\u00a0 \u00a0 \u00a0\u00a0 <\/strong>219<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 State Projects to Colonize the Brazilian Interior <\/strong><\/p>\n

Suzanne Oakdale<\/p>\n

PART FOUR: TELEVISION<\/span><\/p>\n

CHAPTER TEN<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Reproducing Colonial Fantasies: The Indigenous as\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>244<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Other in Brazilian Telenovelas<\/strong><\/p>\n

Antonio La Pastina<\/p>\n

CHAPTER ELEVEN<\/span>\u00a0\u00a0 Kayap\u00f3 Televiewing: An Audience Ethnography\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>267<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 in Turedjam Village, Brazil <\/strong><\/p>\n

Richard Pace<\/p>\n

Glenn H. Shepard Jr.<\/p>\n

Eduardo Rafael Galv\u00e3o<\/p>\n

Conrad P. Kottak<\/p>\n

CHAPTER TWELVE<\/span>\u00a0 Mediating (Tele-)Visions of Civilization in Emerging\u00a0 <\/strong>308<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kichwa Media Markets <\/strong><\/p>\n

Jamie E. Shenton<\/p>\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n

\"\"<\/p>\n

\"BCC<\/a>\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

One of the exciting developments from our last conference is a forthcoming volume from Vanderbilt University Press, edited by Richard Pace, primarily composed of material presented in 2015. Here is a preview of the table of contents ( please note: … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6292,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-99","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/pages\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/users\/6292"}],"replies":[{"embeddable":true,"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":21,"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/pages\/99\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/pages\/99\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/my.dev.vanderbilt.edu\/indigitalconference2017\/wp-json\/wp\/v2\/media?parent=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}